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Review

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    Review: 'Drunkboat' Features A Compelling One-Two Acting Punch In A Weightless Stagebound Adaptation

    At the start of “Drunkboat,” Mort Gleason (John Malkovich) is abandoned at the bottom of a bottle, reduced to a near-catatonic stupor. He’s a forty-something drunken layabout who’ll either be seen wearing a mop on his bald pate for laughs, or lying on the floor passed out as ...

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    Karlovy Vary Film Fest Review: Based On Real Events, 'Piazza Fontana: The Italian Conspiracy' Is A Stylish, Densely Plotted Treat

    A deserving winner of the Special Jury Prize at the Karlovy Vary International Film Festival, “Piazza Fontana: The Italian Conspiracy (Romanzo di una strage)” is a film so skilfully and stylishly put together, that so easily slots into the familiar "procedural" genre, that it almost left this festiv...

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    Review: 'The Imposter' A Remarkable & Entertaining Tale About The Illusion Of Truth

    It isn’t often that audiences will feel inclined to believe the word of a proven liar over a family who suffered as a result of his dishonesty, but “The Imposter” achieves that unusual feat. A documentary about a family stricken with tragedy that unwittingly takes in a con artist, ...

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    Review: 'Red Lights' Invites You To Stop, Look & Listen

    What you see, you can’t believe. What you can’t understand, though, can ultimately be explained. This is the modus operandi for Margaret Matheson (Sigourney Weaver) and assistant Tom Buckley (Cillian Murphy), parapsychologists primarily interested in debunking supernatural phenomena. “When I see hoo...

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    Review: 'Ice Age: Continental Drift' Is Pleasurably Rudderless

    The "Ice Age" franchise is like the "Shrek" series of Blue Sky Studios (a kind of mini-Pixar based in suburban Connecticut) – a new entry comes out every couple of years, usually to diminishing returns (creatively) but tons of box office. The last one, 2009's deliriously dull "Ice Age: Dawn of the D...

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    Review: 'Alps' Another Unique & Remarkable Film From Director Yorgos Lanthimos

    Until a couple of years ago, few outside his native Greece were aware of theater director-turned-filmmaker Giorgos Lanthimos. But when his third film, "Dogtooth," came from seemingly nowhere to win the top prize at Un Certain Regard at Cannes in 2009, it kicked off a process that's deservedly seen t...

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    Review: 'Farewell, My Queen' Introduces Lesbianism Into The Marie Antoinette Story To No Great Effect

    In the land of the costume drama, truly, films about Marie Antoinette are Queen, promising lavish sets, romantic intrigue and shocking decadence -- but they don't always deliver. Director Benoît Jacquot's uninspiring take on the period opened the Berlin Film Festival days ago, but something about th...

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    NYAFF Reviews: 'Warriors of The Rainbow: Seediq Bale,' 'Monsters Club' & 'Nasi Lemak 2.0'

    Earlier this year, audiences experienced “Warriors Of The Rainbow: Seediq Bale,” a pulse-pounding, action-heavy epic that told the story of tensions between rural Taiwanese and invading Japanese soldiers. What some audience members didn’t know is that the two-and-a-half hour epic wasn’t even close t...

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    Karlovy Vary Film Fest Review: 'Leave Me Like You Found Me' A Minuscule But Truthful Portrait Of A Compromised Relationship

    “They were nice,” says Erin (Megan Boone) of some passersby, to the boyfriend with whom she has recently reconciled with after a year-long hiatus, as they trek though the woods on a camping holiday. “Everyone’s nice when they’re on vacation.” Cal (David Nordstrom) replies drily, before promptly goin...

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    New York Asian Film Festival Reviews: 'Couples,' 'You Are The Apple Of My Eye,' and 'Honey Pupu'

    Based on the 2005 Japanese hit “A Stranger of Mine” (directed by Kenji Uchida), “Couples” is kind of like those Rube Goldberg sequences from Jean-Pierre Jeunet (or maybe the “how Cate Blanchett got injured” sequence from “The Curious Case of Benjamin Button”), except for an entire feature-length run...

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