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Review

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    Review: 'Evil Dead' Is A Grim, Humorless, Ultraviolent Update Of A Horror Classic

    When the "Evil Dead" remake was first announced, everyone pretty much assumed that it was going to suck. This was something that star/producer Bruce Campbell acknowledged during the Q&A at the film's SXSW World Premiere last month. But after years of being assaulted with fan questions about a fourth...

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    Review: 'Thale' Is A Half-Finished Spooky Fairy Tale

    There’s usually a handshake agreement made by audiences with genre filmmakers eager to make an impression: If your first act is fantastical, intriguing and mysterious, then don’t botch it with an overly technical, low-imagination third act explanation. This sort of misstep has dogged big budget mish...

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    Review: Robert Redford's 'The Company You Keep' Is An Unconvincing Bit Of Agitprop

    The third film in Robert Redford’s recent series of stillborn, bleeding heart dramas, "The Company You Keep" is a busy but inert civic-minded thriller. As a director, Redford has yet to break his recent habit of using hackneyed dialogue to talk down to his audience with Aaron Sorkin-esque dialogue t...

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    Review: 'Bert Stern: Original Mad Man' Keeps Its Subject In Fuzzy Focus

    We've seen an explosion in fashion world documentaries over the past years with "The September Issue," "Diana Vreeland: The Eye Has To Travel," "Bill Cunningham New York," "In Vogue: The Editor's Eye" and so much more all casting various perspectives on an industry that has seen haute couture fall r...

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    Review: 'Eddie: The Sleepwalking Cannibal' An Enjoyable If Somewhat Slight Horror-Comedy

    A blunt, no-nonsense title like "Eddie: The Sleepwalking Cannibal" perfectly describes the type of movie you're going to encounter when viewing Boris Rodriguez's first narrative feature -- a weird, darkly comic tale offering little more than an enjoyable experience. While 'Eddie' could've tried a li...

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    Review: 'Free Angela & All Political Prisoners' A Fascinating Chronicle Of Justice & Strength

    "Black power means dignity," is a phrase that lingers from Shola Lynch's documentary about activist and scholar Angela Davis. And dignity is just one of the many qualities that one can attach to Davis, a bold and powerful figure whose own battle for justice and freedom is chronicled in "Free Angela ...

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    Review: 'Down The Shore' With James Gandolfini & Famke Janssen An Overheated Jersey Melodrama

    What is it about Jersey that causes filmmakers to make films which constantly talk about escaping from or dreading a return to the Garden State? If I didn’t just answer my own question, there’s always “Down The Shore,” an actors' showcase melodrama that captures the small town as a prison where char...

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    Review: Omar Rodriguez Lopez's 'Los Chidos' Is Wild, Wacky, Weird, Bloody & Bold

    Not everyone is going to be ready for the ride through "Los Chidos" that director Omar Rodriguez Lopez offers up. But his willingness to scare off a few of the faint of heart preserves his commitment to a truly bold and unique vision and an aesthetic all his own. This is the fifth feature film from ...

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    Review: 'City Baby' A Modest, Well-Made Portrait Of A Womanchild Trapped In Portland

    David F. Morgan's "City Baby" is a modest character study of Cloey (Cora Benesh, who also co-wrote the screenplay), an aspiring...something, boldly going nowhere. With her father (Daniel Baldwin) footing the bills without question, Cloey is free to pursue her relationship with aging rockstar-wannabe...

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    Review: 'Blancanieves' Doesn't Necessarily Transcend Silent Film Gimmick, But Still Proves To Be A Rewarding Fable

    Fetishize the past all you want. The silent era gave way to a flood of cinematic storytellers ranking well amongst the greats. You didn’t need sound to realize a filmmaker like Fritz Lang was stretching the medium so far that it would take a couple of decades of talkies for anyone to match his visio...

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