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Review

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    SXSW '12 Review: 'God Bless America' A Funny, Insightful & Outrageous Indictment Of Contemporary Culture

    At the movies, righteous anger is in painfully short supply these days, but writer-director Bobcat Goldthwait manages to harness all of his (and more than a little bit of ours) in “God Bless America,” a scathingly funny indictment of the vagaries of contemporary U.S. culture. Compiling a...

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    SXSW '12 Review: 'The Cabin In The Woods' Is A Smart, Witty Blast For Genre Fans

    Almost no genre (bar perhaps the romantic-comedy) revolves around formula as heavily as the horror film. Obviously there are sub-categories: the haunted-house film, the zombie flick, the vampire movie. But a disproportionate amount of the involves a group of horny teens going to a remote location, t...

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    SXSW '12 Review: 'Electrick Children' An Offbeat Indie With A Trio Of Charming Young Leads

    Opening the Generation section of the 2012 Berlinale, which is designed to promote films for, by and/or about young people, we honestly weren't sure what to expect from "Electrick Children," the debut film from writer/director Rebecca Thomas. Colour us pleasantly surprised then to discover that the ...

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    Review: 'Sound Of Noise' A Clever, Unique & Musical Heist Film

    “This is a gig!” screams a gang of masked assailants as they enter a busy Swedish bank. The customers are pushed and prodded, forced into a corner, hiding behind their ruffled suits as the perpetrators begin to activate the shredders, printing cash and destroying it in front of them, an ...

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    Review: 'The Ballad Of Genesis & Lady Jaye' Is A Fascinating Love Story Cum Examination Of Fluid Identity & Pandrogeny

    Going beyond mere ideas of pansexuality, gender reassignment and transgenderdom, the documentary "The Ballad of Genesis & Lady Jaye" centers on the relatively unique notion of pandrogeny -- the concept of a man and woman shedding their individuality and appearance and becoming one and ...

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    Review: 'Good For Nothing' A Straight-Faced Modern Western, No Gimmicks Allowed

    Westerns get a new accent in New Zealand's "Good For Nothing". Enter the universe of this film, and you'll soon know that it's a man's world, with dusty cheeks, spit-slinging bad guys, and danger rattling like a snake around every corner. The gents don't fool around, which explains why the tagline r...

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    Review: 'Salmon Fishing In The Yemen' Is All Heart and No Brain

    Picking on "Salmon Fishing In The Yemen" makes us feel like a bit of a bully, as though we're mercilessly teasing that super nice but incredibly dumb girl in class. It's an affable, inoffensive British comedy that just wants you to like it so much that you can't help but snicke...

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    Review: 'Friends With Kids' Is, Sadly, A Conventional Look At Unconventional Relationships

    The concept of the nuclear family has become something of an outdated notion. With children now found in a wide array of living situations -- single parents, gay parents, adoptions, etc. -- the "ideal" of a child being raised by a mommy and a daddy is shifting, with a newer idea of just tw...

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    Review: 'Jiro Dreams Of Sushi' A Fascinating (If Sometimes Jarring) Profile Of A Master Chef

    There’s something weirdly off-putting about the music cues in "Jiro Dreams of Sushi," a documentary-cum-character study of an 85-year-old sushi “shokunin” or craftsman. Octogenarian Jiro Ono is the cheeriest of workaholics. He can’t imagine retiring, at least not un...

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    Review: 'Convento' Is An Intriguing & Moving Look At Art And Life

    The Zwanikken clan story is not your Daddy’s family tales. Back in 1980 Geraldine and Kees (ballerina and photographer respectively) needed a creative spark to their battery, and together with their two children (Christiaan and Louis) they abandoned Holland for a decrepit convent in a remote Portugu...

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