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Review

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    Review: 'Wuthering Heights' Is A Superb, Groundbreaking Adaptation Of The Classic Tale

    One of the most exciting talents to emerge out of the U.K. in the last decade or so is Andrea Arnold. The former television presenter won an Oscar for her short film "Wasp" in 2005, and made her feature debut the following year with the powerful, gritty thriller "Red Road." 2009 saw her follow it up...

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    Review: 'The House I Live In' A Messy, But No Less Potent Examination Of The Misguided War On Drugs

    $1 trillion dollars have been spent over the past forty years on The War On The Drugs, causing a 705% increase in the American prison population since 1973. And perhaps most bracing of all, while African-Americans only make up 13% of the population, and 14% of its drug users, they account for 56% of...

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    NYFF Review: 'Araf' Stirs & Shocks In Equal Measure

    There isn’t much that can prepare you for the drastic second-half turn of “Araf,” an often-gorgeous drama playing in the Main Slate at the New York Film Festival. Evocative and somewhat alien in equal measure, “Araf” takes place in a withered Turkish countryside that might as well be another planet....

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    Review: 'Beatles Stories' A Collection Of Celeb Tales Tall & Small About The Fab Four

    Everyone has some kind of celebrity story. And even if you don't, in this six-degrees-of-Kevin-Bacon world, you probably know somebody that does. And when it comes to one of the most important bands of all time, who not only touched the world of music, but film, art, politics and social change a...

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    Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about an...

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    NYFF Review: Alain Resnais Makes A Delightful Final Film With 'You Ain’t Seen Nothin’ Yet!'

    Alain Resnais is no stranger to the absurd. For over fifty years, his films—beginning with “Hiroshima, Mon Amour,” have asked questions through their oblique narratives about the way we think about story, performance, and cinema. But such a serious statement also obscures the pure delight it is to g...

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    NYFF Review: 'Barbara' A Fresh Look Into 1980s Germany, Focusing On Life & Love

    Though maybe a bit too stiff and straight-laced, "Barbara" is a frequently subtle, moderately interesting character study set in a grievous East Germany during the 1980s. What are especially nice are the painstaking ways that director Christian Petzold ("Jerichow," "Dreilebe...

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    Review: Joe Dante Can't Quite Recapture His Earlier Magic With 'The Hole'

    Some directors are simply in the right place at the right time. This is why Tim Burton has spent the last decade recycling the same ideas, visuals and motifs to ever-diminishing returns with ever-escalating budgets. Surely Burton would not be where he was had the ever-underestimated Joe Dante not tu...

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    NYFF Review: 'Life Of Pi' Is An Inspiring & Visually Stunning Tale Of Faith, Hope & Self-Discovery

    Taiwanese-born American film director Ang Lee’s career is difficult to pin down. He’s constructed nuanced and well-crafted dramas of various milieus and textures (from “The Ice Storm,” and “Sense and Sensibility” to the more erotic “Lust/Caution” and &...

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    NYFF Review: 'Roman Polanski: Odd Man Out' Depicts A Filmmaker In Crisis Mode Overshadowing Her Subject

    In “Roman Polanski: Wanted and Desired,” filmmaker Marina Zenovich attempted to shine a light on the darker corners of the Polanski rape case that forced him to flee the country. Its affect was considerable in the public perception of his case, to the point where it was soon reopened by investigator...

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