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Review

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    Review: 'Piranha 3DD' Dutifully Fails To Be In On The Joke

    If you're gonna go for it, go for it. That was the philosophy Alexandre Aja pursued for the bleakly funny "Piranha 3D," an orgy of death and dismemberment that indulged in the hedonism of spring break before letting loose swarms of genetically-superior fish that were decidedly playing for keeps. As ...

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    Review: ‘Hide Away’ Has A Great Performance By Josh Lucas Nearly Suffocated By A Truly Lousy Movie

    John Lucas is one of those actors who, mathematically at least, ought to be a movie star. He’s been a part of several high profile projects that should have launched him into the starry stratosphere (he was the romantic lead in Reese Witherspoon’s hit “Sweet Home Alabama;” a heavy in Ang Lee’s “Hulk...

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    Review: 'Snow White & the Huntsman' Is A Beautiful Slog

    2012 has already delivered one big-budget movie based on the classic Grimm Brothers' fairy tale "Snow White." Earlier this spring arrived Tarsem's fizzy, Bollywood-ish "Mirror Mirror," which saw Julia Roberts vamping it up as the evil queen, surrounded by the most cheesily phony-looking sets this si...

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    Review: Ridley Scott's 'Prometheus' Is A Gorgeous, Fascinating Muddle Of Ideas That Can't Stick The Landing

    Ambition is a rare thing in movies these days, especially when it comes to summer blockbuster fare. There might be ambitions to blow up bigger things, or include more bad guys, or feature more stars, but in terms of real ambition -- telling big stories, about big subjects, on a huge canvas -- only a...

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    Cannes Review: Sprawling 'Hemingway & Gellhorn' Worthy Of The Rough & Tumble Life Of Two Great Writers

    Ernest Hemingway is the kind of grandiose figure that it seems it would be difficult to contain within the framework of a feature film, and the decision to pair his life with that of his ex-wife Martha Gellhorn only adds to the task at hand. But with the leisure of a two-and-a-half hour running time...

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    Cannes Review: 'Mud' Starring Matthew McConaughey Is An Underwhelming Anti-Fairy Tale

    "Mud," American writer/director Jeff Nichols' underwhelming follow-up to the masterfully visceral "Take Shelter," is a shallow and contrived coming of age story. While both 'Shelter' and "Shotgun Stories," Nichols' promising debut feature, explore their respective characters' motives and emotions, "...

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    Review: In 'OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie,' Too Much Bud Gets A Little Boring

    "OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie" is a completely unique documentary that depicts one man's struggle -- co-director Bud Clayman -- with his Asperger's Syndrome and Obsessive Compulsive Disorder. Yes, Bud's got the one-two punch of Asperger's and OCD, the s...

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    Cannes Review: David Cronenberg's 'Cosmopolis' Is Both An Excellent Adaptation & A Rich, Complex Character Study

    "Cosmopolis," an adaptation of Don DeLillo’s typically provocative novel of the same name, is the first feature film since 1999's "eXistenZ" that filmmaker David Cronenberg has directed and scripted. This in part explains why "Cosmopolis" is such a triumph: it’s both an exceptional adaptation and a ...

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    Cannes Review: Leos Carax's 'Holy Motors' Is An Anything Goes Stew Of Big Ideas That Doesn't Always Work

    Hilarious and dull, fascinating and pretentious, there is no doubt that Leos Carax's "Holy Motors" is memorable. Whether it's actually any good is up for debate. Bold and confounding in equal measure, Carax's first feature in over a decade is less a movie than a collection of s...

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    Review: 'The Intouchables' Is A Crowd-Pleaser For Simpletons

    “The Intouchables” is a study in contrasts. In one corner, there is Phillipe (Francois Cluzet), a wealthy, white renaissance man paralyzed from the waist down. He is mobile, exiting his home for fine dining, purchasing artwork, and attending the opera. He cannot continue to live the finer life witho...

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