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Review

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    Cannes Review: Brandon Does David Proud, 'Antiviral' A Classic Cronenberg Freak Fest

    There is no doubt that no matter what Brandon Cronenberg decided to make as his first movie, the shadow of his father would loom large. So whether it just runs in the family, or if it was a calculated decision to do something audiences would expect from the Cronenberg mantle, full credit to Brandon ...

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    Cannes Review: The Bondurant Boys Deal Moonshine & Violence In John Hillcoat's Lively 'Lawless'

    "It's not violence that sets men apart, it's the distance they're willing to go," Forrest Bonduarant (Tom Hardy) tells his youngest brother Jack (Shia LaBeouf) in "Lawless." And with a set of brass knuckles in his pocket and a pistol in his waistband, he knows what he's talking about. That theme is ...

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    Cannes Review: It's Ad Men vs. Bad Men in Pablo Larrain's Exciting, Funny, Moving 'No' Starring Gael Garcia Bernal

    Playing as part of the Director's Fortnight, Pablo Larraín's "No" is exactly the kind of film you hope to stumble across at Cannes -- a film that hadn't been on your radar until buzz from too many quarters too diverse to be ignored made you seek it out, discovering a fil...

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    Cannes Review: Faith & Love Collide In Cristian Mungiu's Powerful 'Beyond The Hills'

    Can blind, unquestioning devout faith be just as corrupting as sin? Can love be as all consuming as evil? These are the big, broad themes being explored in Cristian Mungiu's deliberate and somewhat cryptic "Beyond The Hills," a very slow burn drama that finds both religious and emotion...

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    Cannes Review: Xavier Dolan's Messy 'Laurence Anyways' Is Both Ambitious & Admirable

    "The sky's the limit," Fred (Suzanne Clement) says when she's asked about what people will say when her boyfriend Laurence (Melvin Poupad) decides to become a woman. It's 1989 and she believes that her generation is ready to handle transsexuality -- and perhaps they are -- but ...

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    Cannes Review: Matteo Garrone's Lightweight & Lifeless 'Reality' Is A Disappointment

    The relationship between audiences and reality television has shifted to some degree over the past decade (or longer). Where early shows were once positioned as voyeuristic/documentary style looks at Real People, it quickly became clear to those in front of the camera, behind it and at home watching...

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    Cannes Review: Over The Top 'Broken' Starring Tim Roth & Cillian Murphy Can't Get It Together

    There is a difference between a kitchen sink drama and a drama that includes everything but the kitchen sink, and unfortunately for "Broken," it's more of the latter than the former. Marking the feature debut by theater director Rufus Norris and with Tim Roth, Cillian Murphy and Rory Kinnear among t...

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    Review: 'American Animal' Is Where Independent Cinema Goes To Die

    Matt D’Elia, the writer, director and “star” of “American Animal,” plays Jimmy, a wiry twentysomething living off the considerable wealth of his rich father. He never leaves his apartment, despite repeatedly coughing up blood and showing noticeable signs of illness...

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    Review: Waterlogged 'Battleship' Is A Cynical, Nonsensical & Boring Blockbuster

    Expectations are a tricky thing with films. In an age where every teaser, trailer, teaser-for-a-trailer, poster and publicity still are pored over endlessly, many go into a film thinking they know what they'll think afterwards. This can lead to hopes being crushed, or sometimes, for a film that you'...

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    Cannes Review: 'After The Battle' A Well-Intentioned, But Manipulative Drama About The Egyptian Revolution

    Gil Scott-Heron famously said "The revolution will not be televised," but as the Occupy movement and the events in Syria and Egypt have shown, not only are these actions on TV, they're on Facebook, Twitter and YouTube as well. Social media and the ever-quickening 24 hours cycle have seen protestors ...

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