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Review

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    Tribeca Review: 'Francophrenia' A Fascinating Doc/Fiction Profile Of James Franco As James Franco

    James Franco's ongoing experimentation with the limits of his own celebrity are like little else popular culture has produced of late. While his hijinks within academia and beyond are well documented (he's working on a Film MFA at NYU and an English PhD from Yale, while being a movie st...

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    Tribeca Review: 'Sleepless Night' A Deceptively Simple Thriller That Packs A Punch

    Containment thrillers can often be limited by the landscape of their locale, but in the French film “Sleepless Night,” the nightclub where corrupt cop Vincent (Tomer Sisley) races to rescue his son is expansive enough to make it seem like a mini-mall. Writer-director Frederic Jardin some...

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    Tribeca Review: Sarah Polley's 'Take This Waltz' Has Insights And Edges Sharp Enough To Stab

    In Sarah Polley's Toronto-set drama "Take this Waltz," Margo (Michelle Williams) stumbles across Daniel (Luke Kirby) on a business trip, only to find he lives across the street; despite being married to Lou (Seth Rogen), Margo can't stop thinking of Daniel. Or maybe it's becaus...

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    Tribeca Review: 'Room 514' A Talky, Lo-Fi Israeli Version Of 'A Few Good Men'

    Coming off the heels of the formidable "Policeman," a harsh and damning critique of contemporary Israeli society, "Room 514" points a similar analytical eye on its country but comes up with little more than general arguments. Its overly familiar plot and substance weakens its voice and the movie alm...

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    Tribeca Review: Abbie Cornish Shines, But The Questionable 'The Girl' Remains Ethically Dubious

    Well-told, well-shot and featuring a strong, but restrained and internalized performance from actress Abbie Cornish, director David Riker's "The Girl" is a mannered and in-the-pocket indie drama that might be a total subdued winner if it weren't for its dubious political ideol...

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    Tribeca Review: 'Eddie: The Sleepwalking Cannibal' An Enjoyable If Somewhat Slight Horror-Comedy

    A blunt, no-nonsense title like "Eddie: The Sleepwalking Cannibal" perfectly describes the type of movie you're going to encounter when viewing Boris Rodriguez's first narrative feature -- a weird, darkly comic tale offering little more than an enjoyable experience. While 'Eddie' could've tried a li...

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    Tribeca Review: 'Free Samples' Isn't Worth Buying

    For some reason independent movies, especially the current wave of mumble-core with its earthy existentialism and waxy photographic quality, have the reputation of somehow being more “real” or “honest” than movies in the mainstream. Because these smaller movies arrive at some emotional truth more di...

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    Tribeca Review: Lightweight '30s British Romance 'Cheerful Weather For The Wedding' Mostly Wastes Its Young Stars

    There's nothing more frustrating than wasting talent. Seeing a promising young filmmaker turn in a movie that just doesn't work is as disappointing as seeing a good cast squandered by lesser material. Unfortunately, both are common but unavoidable side effects of attending film festivals and the lat...

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    Tribeca Review: Upsetting, Eye-Opening 'The Revisionists' Draws Pivotal Line In The Sand In Regard To Education

    Where to start when discussing something like "The Revisionaries," a film that's really only controversial if you feel the idea to provide an idiot with a pulpit to preach from is a good one? The doc follows the fifteen-person Texas Board Of Education, an organization dedicated to reforming the stat...

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    Review: 'Ballroom Dancer' A Fascinating Dance Doc About The Quest For Perfection & Recapturing Past Glory

    “Ballroom Dancer” begins with black-and-white footage of dancer Slavik Kryklyvyy in 2000, on top of the world and dominating the World Latin Dance Championships. Kryklyvyy is lithe and seductive at the age of 24, slicing through routines with his equally skilled partner and lover Joanna ...

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