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Review

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    Review: 'The Day He Arrives' Languidly Strives For Poignancy

    The primary reason why "Groundhog Day" works (besides the casting, pacing, easygoing charm and humor) is that the little town of Punxsutawney is the physical embodiment of what we all feel occasionally: a startling inability, even for a moment, to tell one day from the next. Call it a forc...

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    Tribeca Review: 'Jack And Diane' An Unsatisfying & Empty Relationship Movie

    Though the descriptor "werewolf-lesbian-psycho-drama" piqued immense interest when word first got out, Bradley Rust Gray's "Jack And Diane" doesn't follow through on its weirdo/intriguing premise. Little work is done from the get-go to make the emotional connection betwee...

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    Review: '96 Minutes' Is About An Hour And A Half Too Long

    You might as well be prepared: “96 Minutes” is one of those multi-strand indie movies where the chronology is distorted, and you spend the runtime putting the pieces back together. You may be interested in just how every piece fits, how we got to a girl bleeding out in the backseat of a car (probabl...

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    Tribeca Review: Thai Existentialist Hitman Film 'Headshot' Proves The Genre Still Has A Pulse

    The hitman genre has been done to death. If cinema can be a reflection of the times we live in, and a recorded piece of history of what the filmmakers are concerned with at the time of inception and production, then it’s amazing any of us are still alive. When done well, the genre can be a lot of fu...

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    Review: 'Penumbra' Flirts With Early Argento, Settles For Late-Period Dario

    “We are surrounded by monsters!” bellows the deep-voiced heavy metal singer in the end credit music for “Penumbra,” the new Spanish-language thriller opening this week. Given the subject matter, he may be drawing too broad a picture, given that so much of this singleminded scarefest relies on perspe...

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    Tribeca Review: 'Polisse' A Gritty Police Procedural That Can't Avoid Soap Opera Theatrics

    On paper, a film investigating the inner workings of the police department seems like an odd choice for the Cannes Film Festival which prides itself on breaking new voices in cinema. Certainly, the film world has never lacked in depictions of a cop's life in all its difficult detail. But "Polisse" b...

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    Tribeca Review: Haphazard 'Your Sister's Sister' Ambles Towards Drama With Little Consequence

    Independent filmmaking has become somewhat hyper-obsessed in the last few years with "realism." Lighting rigs have been put away, available light filling in where it will, and scripts tossed out for sketches, shaped by improvisation in an attempt to capture as close to an approximation of real human...

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    Tribeca Review: An Unwieldy ‘The Five-Year Engagement’ Is Still Endearing, Funny & Smart

    Funny, touching and occasionally dramatic, Jason Segel and Nicholas Stoller’s charming “The Five Year Engagement” falls just short of the modern-day comedy classic category, and yet is deeply entertaining, genuinely amusing and satisfying in the way most shaggy-dog, two-hour-plus comedies are not. B...

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    Review: 'Oki's Movie' A Sincere, Hilarious & Dense Relationship Movie

    Comprised of four segments using the same characters caught in a love triangle at various points in their life, "Oki's Movie" experiments with structure to humorously examine the connections and similarities between people. By jumping through various time periods and swapping perspectives, filmmaker...

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    Review: Mary Harron's 'The Moth Diaries' Is A Teen Vampire Tale Without Any Fangs

    It's remarkably tough to get any film financed, at least one that doesn't have 3D talking animals from a popular cartoon series. So it's no surprise that some filmmakers, for all their best efforts, can go three, four, five or more years between pictures. Worryingly, it seems to be doubly true for f...

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