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Review

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    Review: Christianity & College Life Collide In Fresh 'Blue Like Jazz'

    Most discerning moviegoers flinch when greeted with the prospect of a "Christian" film. Religion and mainstream cinema do not make comfortable bedfellows, as many films in this subgenre fit the very definition of "preaching to the choir," concerned not with challenging viewers as much as pandering t...

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    Review: 'Suing The Devil' A Genuine Career Low For Malcolm McDowell

    The spirit of Tommy Wiseau is alive and well in the new, Malcolm McDowell-produced faith-centric indie “Suing The Devil." There’s no way to sugarcoat the fact that McDowell, who stars as the titular Beelzebub, has over the course of his storied career, gone from working with Stanley...

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    Review: 'How To Grow A Band' A Decent Portrait Of Musician Chris Thile And Punch Brothers

    Subject Chris Thile lets us in on a little Irish saying, told to him by his ex-father-in-law: “Never let the truth get in the way of a good story.” Should we expect that the following documentary will be a dubious account of progressive bluegrass band Punch Brothers? It’s a peculiar way to start thi...

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    Review: 'The Three Stooges' A Limp Homage To A Legendary Comedy Trio

    There doesn't seem to be a single pressing reason for the Farrelly Brothers to have made a Three Stooges-less movie titled "The Three Stooges." Bobby and Peter Farrelly's love of the Stooges is well-known, but they should have left well enough alone after "Dumb and Dumber,&quo...

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    Review: 'L!fe Happens' One Tiresome Subplot At A Time, None Of Them Worthwhile

    In a recent New York Times profile by Margy Rochlin, Krysten Ritter, ex-model and co-writer/star of “L!fe Happens,” talks about the film as her labor of love. She flinches when mixed reviews are mentioned, claiming the film “shouldn’t be reviewed” and “All that anybody should say about this film is ...

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    Review: 'The Cabin In The Woods' Is A Smart, Witty Blast For Genre Fans

    Almost no genre (bar perhaps the romantic-comedy) revolves around formula as heavily as the horror film. Obviously there are sub-categories: the haunted-house film, the zombie flick, the vampire movie. But a disproportionate amount of them involves a group of horny teens going to a remote location, ...

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    Review: 'Lockout' Is The B-Movie You've Been Waiting For All Year

    In the futurist world of "Lockout," most deadly convicts will be confined to MS-One, a maximum security prison floating in outer space. It’s not long from now (2079, to be exact) strongly suggesting the cultural shift in our society’s interest in interstellar exploration has gone from possibly explo...

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    Review: Director Pablo Larrain's Continues His Dark, Comedic Preoccupation With Chile's Tainted History In 'Post Mortem'

    Where did the American Independent cinema of the '70s go, exactly? Did it fizzle and die, or did George Lucas scare it away with his mammoth sci-fi extravaganza? No one knows for sure, but there's something suspicious about the films of Chilean director Pablo Larrain. "Tony Manero,"...

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    Review: Uneven Documentary ‘Hit So Hard’ Can’t Decide If It’s A Patty Schemel Portrait Or Hole Alt-Rock Examination

    Patty Schemel is best remembered as the drummer of the alternative rock group Hole, fronted by erstwhile alt-queen rocker, now-notorious loudmouth Courtney Love. For top level context, Schemel laid the thunderous beat on both of Hole’s most popular and well-known records, including 1994’...

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    Review: 'Here' With Ben Foster Is A Punishingly Slow Film With Little Substance Or Soul

    Despite naturalistic performances by leads Ben Foster and Lubna Azabal ("Incendies," "Coriolanus") and impressive cinematography by Lol Crawley ("Ballast," "Four Lions"), Braden King's "Here" is a maundering relationship movie with few stakes and...

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