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Review

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    Venice Review: Mira Nair's 'The Reluctant Fundamentalist' A Heavy-Handed Look At A Post 9/11 World

    Opening films at festivals are always worth approaching with a little caution. Normally given out-of-competition slots, it’s often a signal that the films have been selected to bring some starry names, and the attention that goes with them to the red carpet, or to make some kind of mission statement...

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    Review: Pascal Laugier's 'The Tall Man' An Unfocused & Silly Horror Tale

    A few years ago there was a sort of mini-horror movie renaissance in France, with a bunch of talented young directors paying homage to their favorite American horror films the only way they knew how – by making them incredibly French. Under the stewardship of older French genre provocateurs (like Lu...

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    Venice Review: Kiyoshi Kurosawa's 'Penance' Is An Absorbing 4 1/2 Hour Drama That Falters At Its Ending

    For all the talk of auteurs working on the small screen, and helping to bring in a new golden age of television – Martin Scorsese, Michael Mann etc. – it’s hardly a phenomenon only made up of HBO’s current output. Ingmar Bergman and Rainer Werner Fassbinder both turned to television in the 1980s, fo...

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    Review: 'The Day' Presents Post-Apocalypse From The A La Carte Menu

    "The Day" runs about eighty-seven minutes in length. It features a number of recognizable actors. There's violence at the beginning, middle and end, and many characters die, mostly with an explosion of blood. The story takes place over the course of one day, and though the image is saturated, we see...

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    Book Review: Unnecessary 'The Dark Knight Rises' Novelization Brings Noir Sheen To The Surface

    The continued existence of the movie novelization is perhaps one of the more curious and enduring elements of blockbuster tie-ins. During the '70s and '80s, when you could only see a movie in theaters, a book of your favorite film served a more concrete purpose. Until you got a chance to rent the mo...

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    Review: 'The Apparition' Is A Hauntingly Inept Chiller

    In "The Apparition," a profoundly dull and uninteresting horror movie from the usually above-average Joel Silver genre machine Dark Castle (home to things like the crucially underrated "House of Wax" remake and the splatter-fu oddity "Ninja Assassin"), a group of smart aleck grad students unwittingl...

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    Review: 'Sleepwalk With Me' Observes The Life Of A Comedian & Commitmentphobe

    Yes, everything that follows is true, our narrator assures us from the start after asking everyone to go ahead and turn off their cell phones. The validity of it all has been questioned before, and he simply wants to cut our skepticism off at the pass. However, since this is Mike Birbiglia playing a...

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    Review: 'Premium Rush' Sputters To The Finish Line

    In an age where green screen is over-utilized, and costs are managed by shooting in the Midwest, Canada, or even Eastern Europe, there’s something classy and maybe even downright quaint about a film entirely set on the streets of New York City. Permit restrictions have long ended the days of most lo...

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    Review: Soccer & Street Life Collide In Sincere But Overwrought 'Hermano'

    They say soccer (or football as it's known everywhere except in the United States) is the world's game and it's easy to see why. With the only equipment necessary being a ball and a space to play on, it remains one of the most accessible sports across the globe, giving hope to anyone of any class, c...

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    Review: 'Hit And Run' Would Be A Fun Action Comedy If It Weren't For All That Comedy

    The fact that Charlie Bronson is the name of Dax Shepherd’s protagonist in the Shepherd-co-directed, Shepherd-written and Shepherd-starring “Hit and Run” tells you everything you need to know about the film. Particularly considering the film’s Bronson, a former getaway driver in deep trouble with a ...

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