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Review

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    Review: 'Sound Of My Voice' A Sparse, Sturdy Debut By Zal Batmanglij With A Star Turn By Brit Marling

    A sterile basement, untouched by tainted hands. A small coalition of the willing, clean, bright-eyed and brimming with a mixture of fear and optimism. A beautiful woman with a secret, clad in white, attached to a breathing apparatus, telling an outlandish story. Like the listeners, you hang on to ev...

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    Tribeca Review: 'Babygirl' A Slight Diversion About A Girl's Coming-Of-Age

    It's a surprise that "Babygirl" director Macdara Vallely hails from Ireland. His new film, premiering at The Tribeca Film Festival, hums and buzzes with the authentic regional pleasures of the Bronx, the dialects, the smoky bodegas, the sizzling summer pavement. "Babygirl," w...

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    Review: 'Strange Fruit' A Solid, Fascinating Look At The Groundbreaking Failure Of The Beatles' Apple Records

    While Radiohead weren't the first band to break free of the coporate machine, and drop an album on their own terms, they were easily the most promiment. And while this was par for the course for underground artists and bands through the '80s and '90s who thrived within a specific independent framewo...

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    Tribeca Review: 'Replicas' Sadly Seems More Interested In Cheap Thrills Than The Haneke-Level Chills It Promises

    The Hughes family is one just barely clinging to hope after a terrible tragedy. Following the loss of their daughter, Mark (Josh Close), Mary (Selma Blair) and their preteen son Brandon attempt to heal together at their upstate vacation home, the air thick with tension. Mark has been working so hard...

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    Tribeca Review: 'Nancy, Please' Showcases The Worst Nightmare Of The Timid Grad Student

    We've all known people like Nancy. The title character of Andrew Semans' "Nancy, Please" is a real pill, dark eyes, slumped shoulders, and an eternal pout. There's always drama in Nancy's life, and she's always expressing it physically. She's always impetuous, alway...

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    Tribeca Review: 'Searching For Sugar Man' An Entertaining, Touching & Revealing Look At Forgotten Pop Singer Rodriguez

    If every Sundance film festival needs at least one documentary to remind white people of all the great music in the world they don’t know about, at least “Searching For Sugar Man” seems like 2012’s front-runner for the best one. A born crowd-pleaser whose central mystery begets a great triumph of gr...

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    Tribeca Review: Keanu Reeves Doc 'Side By Side' A Treat For Cinephiles On All Sides Of The Digital Debate

    Doing an impressive job of tracing the evolution of filmmaking technology (not just the cameras but the editing, post-production, distribution, exhibition, even the archiving aspects of it) from 1895 to the present day, “Side by Side” is an old school talking-head documentary on the subj...

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    Review: Twisty, Action-Packed NYC Noir 'Safe' Is The Finest Jason Statham Actioner Yet

    The de-evolution of the modern b-action movie is disheartening. The genre has been bisected by traditionalists and new-school practitioners. The old-school, red meat types like Sylvester Stallone and their ilk believe that real men doing real stunts and delivering brutal blows is the way to go, big ...

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    Tribeca Review: 'Persepolis' Follow-Up 'Chicken With Plums' Is Amiable & Pretty, But Twee & Thin

    It can be difficult to shift from animation to live-action direction; the processes are very different, and even an accomplished animation helmer can sometimes be undone once they're faced with cameras, actors and the breakneck schedule of a feature film shoot, as opposed to the multi-year process t...

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    Tribeca Review: The Deeply Insufferable 'Giant Mechanical Man' Is Quintessential Indie Film Hell

    There’s a special sort of Hell where films like “The Giant Mechanical Man” play, with the same ideas and tropes repeated around the clock, with the mistaken assumption that they’re endearing or, even worse, adorable. It’s the sort of picture that gives independent films a bad name, the type of film ...

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