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Review

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    Review: 'Gimme The Loot' Is A Heartfelt But Dull Look At Two Teen Graffiti Artists

    Throughout "Gimme the Loot," you'll ask yourself the following question: why is this movie called "Gimme the Loot?" Then it becomes clear: if the movie were authentically named, it would probably be called "Bomb the Apple," since the two main characters (Tysheeb Hickson and Tashiana R. Washington) a...

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    SXSW '12 Review: 'Bay Of All Saints' An Honest Exploration Of The Communities Of The Waterfront Slums In Brazil

    Winner of of the Documentary Feature Audience Award at SXSW, "Bay of All Saints," directed by Annie Eastman, is an affecting little gem of a documentary, a look inside a world very different from our own, in the waterfront slums of Bahia, Brazil. These slums aren't so much waterfront as they are in ...

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    SXSW '12: 'Uprising: Hip Hop & The LA Riots' Is An Explosive Chronicle of A Pivotal Moment In Our Nation's History

    "Uprising: Hip Hop & The LA Riots" gets right to the point, starting off with a bang, or perhaps a police baton to the face, as Rodney King walks down the stretch of highway where his notorious beating took place, reenacting that fateful night. The film, produced by VH1 Rock Docs and directed by Mar...

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    SXSW '12 Review: 'Girls Against Boys' Is A Feminist (But All-Too-Familiar) Revenge Tale

    One of the more interesting aspects of this year's SXSW Film Festival is how it opened with Drew Goddard and Joss Whedon's barbed horror deconstruction "Cabin in the Woods" and then, for much of the rest of the festival, was content with showing movies that reiterated all the bad habits and hoary cl...

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    SXSW '12 Review: 'In Our Nature' An Exploration Of Discord & Dysfunction Backed By Strong Performances

    If it weren’t for dysfunctional relationships, independent films might never have any stories to tell. “In Our Nature” is the latest in a long line of small-scale films about children who don’t get along with their parents, and the terms both come to in the process of a share...

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    SXSW '12 Review: 'Lovely Molly' Is A Lovely (If Muddled) Old Fashioned Ghost Story

    Back in 1999, along with a confederate (Daniel Myrick), Eduardo Sanchez incorporated a somewhat creaky aesthetic to their horror film "The Blair Witch Project," using an updated version of the faux documentary approach that gave us everything from "Cannibal Holocaust" to "Zelig," adapting it to toda...

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    Review: 'Jeff Who Lives At Home' Takes The Duplass Bros Mainstream For Their Best Film Yet

    As surreal as it is to see a micro-budget Duplass Brothers film start with the stars and mountainous terrain of the Paramount logo, in many ways that contradiction and clash sets the tone for their new comedy "Jeff Who Lives at Home." Strange things are afoot in the cosmos as Jeff (played with affab...

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    Review: 'Delicacy' Delves Into A Memory That Can't Be Forgotten With A Face That Everyone Loves

    At the start of "Delicacy", we meet two lovers, Nathalie (Audrey Tatou) and Francois (Pio Marmai). They are at play, re-creating the memories of their first encounter at a smoky French restaurant, where he gambled as to what she would order, making his move when she proved his thoughts cor...

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    Review: 'The FP' A Fun, Ambitious, Over-The-Top Comedy That Isn't Much More Than A Novelty

    A film that feels cobbled together from a "Dance Dance Revolution" arcade machine, that graffiti-covered white room where Will Smith shot music videos during his 'Fresh Prince' days and the desperate need to create a new pop culture catchphrase, “The FP” is a singular p...

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    Review: 'The Hunger Games' Is Thoughtful, Thrilling Popular Entertainment That Genuinely Deserves To Be A Franchise

    Complexity and understatement are two criminally under-utilized values in most mainstream movies these days, but they’re at the core of, and the chief reason for the success of “The Hunger Games.” Director Gary Ross, screenwriter of the proletariat presidential fantasy “Dave” and writer-director of ...

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