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Review

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    Venice Review: 'Blondie' A Promising Swedish Family Drama That Gets Less Interesting As It Goes On

    For millennia now, the idea of three sisters has been a potent one in myth and literature. From the Fates of Greek legend to the witches in “Macbeth” to Olya, Masha and Marina in Chekov’s play, the theme recurs across civilizations, with mountain ranges and rivers named some variation on ‘three sist...

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    Venice Review: ‘Disconnect’ Is ‘Crash’ For The Web Era, And Even More Dismal Than That Sounds

    Many writers say they prefer not start the writing process with a theme in mind – they simply let it emerge organically from their plot or characters. But then, plenty of films have gone the other way. The multi-stranded, interconnected drama revolving around a particular subject or theme, like Stev...

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    Venice Review: Olivier Assayas’ ‘Something In The Air’ A Gorgeous Autobiography Marred By Underdeveloped Characters

    He’s been something of a critical favorite for a while now, but after making the hugely acclaimed “Summer Hours” and the acclaimed TV miniseries/theatrical marathon “Carlos” within a few years of each other, French filmmaker Olivier Assayas has firmly cemented himself as one of the more exciting dir...

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    Telluride Review: Michael Winterbottom’s ‘Everyday’ Is Uneven, But Emotionally Rewarding

    The ultra prolific British helmer Michael Winterbottom has now made twenty films since his debut, “Butterfly Kiss,” in 1995. His eclectic creative appetites and peripatetic energy has seen the restless director take on a disparate array of projects from moody sci-fi ("Code 46")...

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    Review: 'Anna Karenina' Is A Bold Reimagining Of A Classic That's (Mostly) Thrilling & Inventive

    When it was announced that Joe Wright was going to direct a new film version of Leo Tolstoy's "Anna Karenina," starring his cinematic muse Keira Knightley, most people probably knew what to expect. After all, the two had collaborated on both Wright's debut "Pride & Prejudice" and "Atonement" (both a...

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    Venice Review: 'Fill The Void' An Orthodox Jewish Romance Caught Awkwardly Between Comedy & Melodrama

    After a Cannes Film Festival which attracted criticism for including no female directors whatsoever, new Venice Film Festival head Alberto Barbera seems to be having bit of a dig at his Gallic rivals with his first year in charge. In the official selection alone, there are four female directors or c...

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    Venice Review: Terrence Malick's 'To The Wonder' Is A Raw & Heartfelt Film Of Loss And Longing

    For a man not known for being prolific, an eighteen-month gap between Terrence Malick’s “The Tree of Life” (the filmmaker’s first film in five years) and his latest, “To the Wonder” (only his sixth in forty years) isn’t just unprecedented, it’s positively mind-boggling, especially given that the dir...

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    Telluride Review: Endearing & Buoyant ‘Frances Ha’ Marks A Terrific Gear Shift For Director Noah Baumbach

    Loose, limber and driven by a fierce energy and staccato/pause rhythm we haven't seen previously from this filmmaker, Noah Baumbach's sublime "Frances Ha" is a fresh and vivacious near-reinvention of the director/writer's comedic milieu. An enchanting riff on friendship and the late-20-something rig...

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    Telluride Review: Intimate & Devastating ‘Ginger & Rosa’ Features A Transformative Elle Fanning Performance

    Lovely and devastating, challenging yet worthwhile, Sally Potter's "Ginger & Rosa" may be the English filmmaker's best since "Orlando," and perhaps her most accessible to date. The intimate and sensual picture also features yet another terrific performance by 14-year-old Elle Fanning, who is quickly...

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    Venice Review: 'The Master' Is Paul Thomas Anderson's Most Complex And Distinctive Film To Date

    No movie has been more keenly anticipated by cinephiles in 2012 than Paul Thomas Anderson’s “The Master.” The filmmaker has been one of cinema’s most exciting new voices for a decade and a half now, but reached a new level of adulation with his last picture, ”There Will Be Blood,” which won awards a...

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