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Review

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    Review: 'Dark Shadows' Is Another Lazy, Incoherent Disappointment From Tim Burton

    “Dark Shadows” is not the worst movie that Tim Burton has ever made, but that’s only because there’s nothing worse than “Alice in Wonderland.” A desperate jumble of ideas in search of deeper substance, much less focus, Burton’s latest collaboration with actor Johnny Depp is the latest, and perhaps g...

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    Review: Chloe Moretz Is Trapped In The Unclean, Clammy Coming-Of-Age Indie 'Hick'

    Later, there will be a brief discussion of how literature is not film, and how some actions and themes do not survive translation from the page to the big screen because our mind can better deal with envisioning them than it can with actually seeing them. Before that though, I feel I have to pause a...

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    Book Review: Max Allan Collins Does Mickey Spillane & Mike Hammer Proud With 'Lady, Go Die!'

    In his ten rules for writing, Elmore Leonard forgoes the advice of Ernest Hemingway, and says: "Never open a book with weather." Well, Mickey Spillane isn't one for niceties or poetry, and he certainly lived by that code, as the late author's "Lady, Go Die!" doesn't mince words from the get go: "The...

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    Hot Docs Review: 'Detropia' A Beautiful & Affecting Portrait Of A City In Decline

    "Detropia" is more than just a portrait of a city. The latest film from "Jesus Camp" filmmakers Heidi Ewing and Rachel Grady is ultimately a moving and powerful micro-portrait of a hurting nation.

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    Review: David Mackenzie's Music Festival Rom-Com 'Tonight You're Mine' Has A Tin Ear

    Not many films are set at music festivals. D.A. Pennebaker’s documentary, “Monterey Pop” is vital, we’ll grant you, and other rock docs that expose something fundamental about the artists they’re profiling (“Don’t Look Back,” “Gimme Shelter&rdquo...

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    Hot Docs Review: 'Bones Brigade' Another Winning Look At Skateboarding Culture From Stacy Peralta

    Most people don't have enough happen in their life to make one documentary, but it turns out Stacy Peralta has enough to make at least two. Eleven years after he delved into his own adolescent history with “Dogtown And Z-Boys,” Peralta has made another skateboarding doc about the next phase of his c...

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    Review: Julia Roberts-Produced 'Jesus Henry Christ' Is Blasphemously Joyless

    There's a moment in "Jesus Henry Christ" when a character is said to be in poor health. When asked what happened to him, the answer is "The Bulls won the championship." We flash back to 1998, where a lisping ethnic caricature sits on a couch; his shoulders slumped, defeated as the television blares ...

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    The Brooklyn Arts Council's Short Film Showcase 'Brooklyn In Brief' An Enjoyable, Varied Collection Of Work

    With Tribeca’s doors already closed, what are New York cinephiles to do in the long stretch of time between the next iteration of the Brooklyn or New York Film Festival? Well, they can certainly wet their whistle at Scene:Brooklyn, an independent film and media arts series put on by the Brooklyn Art...

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    Review: 'With Great Power: The Stan Lee Story' Is Breezy And Somewhat Superficial But Tons Of Fun

    Few figures in comic book lore command the attention and devotion of Stan Lee. Now in his late eighties, with a grey-white caterpillar of a moustache perpetually perched atop his upper lip and oversized, dark-tinted glasses, he’s an easily identifiable character, as iconic as one of his pop culture ...

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    SFIFF Review: Caveh Zahedi's 'The Sheik And I' Creates A Compelling, Subversive & Ethical Puzzle

    In “The Sheik and I” director Caveh Zahedi once again turns the camera on himself, this time as he chronicles his attempts to create and exhibit a film commissioned by the Sheik of Sharjah for the emirate’s art biennial. The film is stitched together with Zahedi’s after-the-fact recalling and contex...

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