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Review

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    Cannes Review: 'Mud' Starring Matthew McConaughey Is An Underwhelming Anti-Fairy Tale

    "Mud," American writer/director Jeff Nichols' underwhelming follow-up to the masterfully visceral "Take Shelter," is a shallow and contrived coming of age story. While both 'Shelter' and "Shotgun Stories," Nichols' promising debut feature, explore their respective characters' motives and emotions, "...

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    Review: In 'OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie,' Too Much Bud Gets A Little Boring

    "OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie" is a completely unique documentary that depicts one man's struggle -- co-director Bud Clayman -- with his Asperger's Syndrome and Obsessive Compulsive Disorder. Yes, Bud's got the one-two punch of Asperger's and OCD, the s...

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    Cannes Review: David Cronenberg's 'Cosmopolis' Is Both An Excellent Adaptation & A Rich, Complex Character Study

    "Cosmopolis," an adaptation of Don DeLillo’s typically provocative novel of the same name, is the first feature film since 1999's "eXistenZ" that filmmaker David Cronenberg has directed and scripted. This in part explains why "Cosmopolis" is such a triumph: it’s both an exceptional adaptation and a ...

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    Cannes Review: Leos Carax's 'Holy Motors' Is An Anything Goes Stew Of Big Ideas That Doesn't Always Work

    Hilarious and dull, fascinating and pretentious, there is no doubt that Leos Carax's "Holy Motors" is memorable. Whether it's actually any good is up for debate. Bold and confounding in equal measure, Carax's first feature in over a decade is less a movie than a collection of s...

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    Review: 'The Intouchables' Is A Crowd-Pleaser For Simpletons

    “The Intouchables” is a study in contrasts. In one corner, there is Phillipe (Francois Cluzet), a wealthy, white renaissance man paralyzed from the waist down. He is mobile, exiting his home for fine dining, purchasing artwork, and attending the opera. He cannot continue to live the finer life witho...

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    Cannes Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about any question of judgment for a...

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    Cannes Review: Carlos Reygadas’ 'Post Tenebras Lux' Is Singularly Strange, But Not Especially Impressive

    When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...

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    Review: 'Oslo, August 31st' A Tender, Bleak Search For Hope

    A reprint of of our review from the 2011 Cannes Film Festival.

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    Cannes Review: Beat Classic 'On The Road' Comes To The Screen In Lustrous-But-Long-Winded Fashion

    Jack Kerouac's "On the Road" has been heralded for decades: an important novel, a cultural signifier, a sociological landmark, a cracking good read. It's also been considered "unfilmable" -- but now Walter Salles ("The Motorcycle Diaries," "Dark Water") brings the novel to the screen, and "The Motor...

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    Cannes Review: 'Me And You' A Middling Return For Bernardo Bertolucci

    It's been nine years since the last feature film from Bernardo Bertolucci, and for a moment there, it looked like "The Dreamers" would be the final effort from the currently wheelchair-bound filmmaker. And while we're glad he's re-energized and back to making movies, unfortunately, "Me And You" will...

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