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Review

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    SXSW '12 Review: 'Shut Up And Play The Hits' Is LCD Soundsystem’s 'The Last Waltz'

    Less of a documentary and more of a document, "Shut Up And Play The Hits" captures the week before, the day after and the very occasion of LCD Soundsystem’s Madison Square Garden farewell concert on April 2, 2011.

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    Review: 'The Kid With The Bike' Rides Into Trouble, Crashes Into A Savior

    All the books on parenting notwithstanding, it's always been pretty simple: kids not only want love, they need it. And in the latest from Jean Pierre and Luc Dardenne that need is amplified into a mellifluous tone of desperation encapsulated in little Cyril (Thomas Doret) the titular 'kid with a bik...

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    Review: Tony Kaye's 'Detachment' Is A Fascinating Mess You Can't Look Away From

    Though it had flown mostly under the radar, cinephiles were pretty thrilled a few weeks ago when the Tribeca Film Festival announced the addition of “Detachment” to its lineup. Not only was the cast top notch but behind the director's chair was British provocateur Tony Kaye, the filmmaker behind the...

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    SXSW '12 Review: Secrets, Revelations & An Unlikely Friendship Emerge In The Compelling 'Starlet'

    Sean Baker’s film “Starlet” wants to play a little trick on you. It’s a fun trick, and you might be more enjoyable figuring it out on your own, but it’s the most important and interesting part of the movie, so it’s hard to talk about its merits without giving it away. In fact, the main crux of the f...

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    SXSW '12 Review: Pascal Laugier's 'The Tall Man' An Unfocused & Silly Horror Tale

    A few years ago there was a sort of mini-horror movie renaissance in France, with a bunch of talented young directors paying homage to their favorite American horror films the only way they knew how – by making them incredibly French. Under the stewardship of older French genre provocateurs (l...

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    SXSW '12 Review: 'Intruders' A Mish-Mash Of Horror Tropes In An Undercooked Procedural

    How do you make the most of a ghost story in the age of post-meta horror films? If you're Juan Carlos Fresnadillo, you run with the idea of a fairy tale until you've copied and pasted so many tropes that "Intruders" emerges as a messy puddle.

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    SXSW '12 Review: 'Bad Brains: A Band In DC' A Kinetic, Frenetic & Long Overdue Tribute To The Legendary Hardcore Band

    As Henry Rollins states early on in "Bad Brains: A Band in DC," a definitive documentary on the legendary hardcore band is long overdue. "Legendary" is even understating it a bit, as Bad Brains helped to invent what we know as American hardcore, taking inspiration from the Sex Pi...

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    SXSW '12 Review: 'Somebody Up There Likes Me' A Surprisingly Ambitious Deadpan Charmer

    Bob Byington’s "Somebody Up There Likes Me" is about a guy who doesn’t grow up. In fact, he doesn’t even age over the film’s span of about three decades in his life. It may have something to do with a mysterious briefcase, the origins of which are only ever suggested by animated cloud interludes and...

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    SXSW '12 Review: 'Monsieur Lazhar' A Meek & Restrained Crowd Pleaser

    When "A Separation" won the Academy Award for best foreign language film last month, I was thrilled -- Asghar Farhadi's splendid domestic drama is one of the best things I've seen in the past few years. But it also came as a genuine surprise, because I was convinced the Canadian fi...

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    Review: 'Seeking Justice' A Rote, Generic Thriller With A Dialed Down Nicolas Cage

    This is a slight paraphrasing of the truth. A couple of years ago, an eccentric award-winning actor had a choice: He could star in an unreasonable amount of movies of declining quality, stockpiling paychecks as his reputation and brand diminished. Or he could sell his dinosaurs bones and castles to ...

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