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Review

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    Tribeca Review: Morgan Spurlock's Crowd-Pleasing 'Mansome' Is Cute, But Unilluminating

    What makes a man shave his chest? Sport a hirsute, ridiculously long and absurd-looking beard? Bleach his anus, thread his eyebrows or play around with his facial hair in any number of manscaping ways? These are some of the questions posed in Morgan Spurlock's latest cheery and congenial documentary...

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    Review: 'The Avengers' Has Its Issues, But Mostly Delivers Thrilling, Engaging, Blockbuster Fun

    Everything that works in “The Avengers” really works, but not everything works in “The Avengers.” A virtuoso collection of action set pieces framed by an uninspiring “getting the team together” narrative which should have been accomplished in all of those post-credits sequences in earlier Marvel mov...

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    Tribeca Review: 'Knife Fight' Is Political Mud-Slinging For Dummies

    For those of you who felt “Ides Of March” was entirely too cerebral and challenging, here comes the dunderheaded “Knife Fight.” A political satire that treads no new ground, this name-heavy comedy wastes an engaging central performance by Rob Lowe, who is completely game to play all sides of the pol...

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    Tribeca Review: 'Una Noche' A Funny, Bawdy, Hopeful Debut Picture From Lucy Mulloy

    There’s a youthful energy running through “Una Noche” that threatens to overwhelm, from its sun-kissed first image to its final moments on the sands of the beach. Alive and vibrant, Lucy Mulloy’s often bawdy first feature is narrated by Lila, a blossoming teenage girl confused by her sexuality, alie...

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    Review: 'Payback' A Dense Dissection Of Debt Based On The Musings Of Margaret Atwood

    What is the essence of debt, and what is debt that doesn't have a money solution? Canadian essayist, novelist, activist, and general "ist" Margaret Atwood pontificates on the complex nature of this kind of liability in "Payback: Debt and the Shadow Side of Wealth," a non-fiction book and the spring-...

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    Tribeca Review: 'Whole Lotta Sole' Is An Insufferable Comic Take On The British Gangster Movie

    The title of "Whole Lotta Sole" is the kind of gratingly obnoxious flourish that makes you hate the movie immediately. First of all it sits in your mouth like a blob of half-chewed gummy bears; secondly, it sounds like a direct-to-video independent movie produced in the mid-90s that the Weinsteins p...

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    Tribeca Review: 'Supporting Characters' Is A Middling Movie, But A Decent Would-Be Pilot Episode For A Show We Might Watch

    What fascinates about “Supporting Characters,” the new relationship comedy premiering at the Tribeca Film Festival, is that it’s greatest strength also registers as its most notable weakness. This decidedly Noo Yawk tale of an editing team in New York City and their satellite frien...

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    Tribeca Review: 'Graceland' Mashes Together Suspense Thriller With Sobering Child Trafficking Drama, With Mixed Results

    Mild-mannered husband and father Marlon Villar is just having one of those days. The boss is on his case. His wife is being needy. His daughter is acting up. The cops are bugging him. “Graceland” begins as a compendium of what some adults would call a terrible, horrible, no good, very bad day. Wah w...

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    Review: Dim-Witted Edgar Allan Poe Thriller 'The Raven' Is Too Boring To Be A Guilty Pleasure

    About ten minutes into James McTeigue's "The Raven," a large, hairy man -- a writer and a critic, as it turns out -- is strapped to a table by a mysterious figure. A mighty blade, inspired by Edgar Allan Poe's "The Pit And The Pendulum," hangs forbodingly above him. And to his unseen captor, he scre...

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    Review: Restrained Werner Herzog Still Shines In Gripping 'Death Row' Series

    The prologue of each of the four episodes of “Death Row” is the same: a restless camera prowls through the dismal ante-room, holding cell and injection chamber of an unnamed execution facility, while director Werner Herzog tells us in his familiar teutonic monotone that, as a German and a guest of t...

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