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Review

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    Review: 'Safe House' Is An Intense, But All-Too Familiar Thriller That Doesn't Offer Much Of Anything New

    Featuring a conventional, by-the-numbers dynamic and story, but a crackling, intense momentum and execution, the Denzel Washington-led CIA thriller "Safe House" splits the difference between comfortably traditional and genuinely thrilling, leaving for an entertaining, but frequently overly...

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    SBIFF Review: 'Samsara' Tells The Story Of Our World With Stunning Visuals & Spiritual Heft

    Just what is a non-verbal documentary anyway? If you appreciated the silent visual storytelling of "The Artist" or the cinematic majesty of Terrence Malick's nature cinematography in "The Tree of Life," or, if you're a fan of the cult 1992 documentary "Baraka," you'll be a fan of the latest effort f...

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    Review: 'Father's Day' Is An Early Frontrunner For The Year's Most Awesomely Tasteless Movie

    There is bad taste, and somewhere below that, there is Troma. Proudly pushing the boundaries of every taboo in the book, the company has remodeled itself in recent years in an attempt to feature movies with a slightly sharper craft, as the direct-to-DVD boom and the torture porn subgenre had stolen ...

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    Review: 'Return' Starring Linda Cardellini A Modest, Intriguing Portrait Of A Post-War Breakdown

    Homefront drama "Return" deals entirely in a creased and careworn realism, but its premise is reminiscent of the kind of theater experiments that look for a new perspective on a classic production by reversing the races of its characters or shifting the time period or setting. The basic st...

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    Review: 'The Rebound' Starring Catherine Zeta-Jones Is A Loose Ball That No One Will Want To Grab

    You don't need to see many movies to understand that in Hollywood, once a woman hits forty, she suddenly lacks relevance. She's not sexy, she's not assertive, and if she doesn't have a man, there must be something wrong with her. Just recently, Twitter users collapsed under a Super Bowl-related aval...

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    Review: 'The Union' Is A Love Letter To Leon Russell From Cameron Crowe & Elton John

    A documentary portrait by filmmaker and avid music lover Cameron Crowe ("Almost Famous," "Pearl Jam Twenty"), "The Union" has a pretty simple concept: chronicling the making of The Union, the eponymously titled album by Elton John and the ultimate rock & roll session man Leon Russell, a musician als...

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    Review: 'Splinters' Is A Compelling Surfing Doc With More On Its Mind Than Just Hanging Ten

    By focusing on cultural barriers rather than killer waves, director Adam Pesce has created a compelling surfing documentary in “Splinters.” The film explores life in the remote Papua New Guinea island of Vanimo, where surfing is considered not just the most important of sports, but the o...

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    Review: 'Love Etc.' Is A Sweet Valentine To Love In NYC

    Consider "Love, Etc." to be an antidote to the cloying saccharine taste of cynical big-studio cash grabs like "Valentine's Day." Yes, both films chronicle love in different forms and at different times in life, but "Love Etc." does so with a sense of both gravity and sweetness. The film opens with a...

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    Review: 'Big Miracle' Has A Lot of Heart But Not Much Of A Pulse

    In the new true-life eco-adventure "Big Miracle," three gray whales are trapped under a large sheet of ice near Barrow, Alaska (the same town the vampires took over in "30 Days of Night"), drawing nationwide media attention and the political interest of then-president Ronald Reag...

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    Review: 'The Woman In Black' A Smart, Stylish & Atmospheric Old School Horror Film

    Arthur Kipps (Daniel Radcliffe) is a walking wound. Still mourning the death of his wife a couple of years after she gave birth to their son, the young lawyer has seen his career put into jeopardy and this worry is compounded by the bills beginning to stack up. The patience and sympathy of his boss ...

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