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    MIFF '11 Reviews: 'A Separation,' 'Norwegian Wood' & 'Knuckle'

    It's that time of year once again: the Melbourne International Film Festival has hit town and, as ever, we're right amongst it. For a change, we'll endeavour to focus on films not extensively covered on the site before, possibly with a general recap later on. One of the early highlights of the festi...

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    Fantasia '11 Review: 'Blackthorn' Catches Up With A Retirement Ready Butch Cassidy

    For the most part -- aside from a few forgettable/unknown titles -- no one has really taken on the legend of Butch Cassidy since Robert Redford and Paul Newman went out guns blazing in George Roy Hill's 1969 instant classic. Though "Butch Cassidy And The Sundance Kid" lives on as a cinematic touchstone and cultural reference point, the legend has largely been kept off the big screens as the boots of Redford and Newman are large to fill indeed. So you have admire the stones of writer Miguel Barros, director Mateo Gil and actor Sam Shepard for breaking the forty year taboo and making what is essentially a sequel (though more like a continuation...

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    Review: ‘The Death Of Andy Kaufman’ Is A Kaufman Fan's Labor Of Love

    Even though he died over 25 years ago, Andy Kaufman can still ignite impassioned arguments over his brand of humor, his career and whether or not he faked his own death in 1984. Those who understood Kaufman will typically find themselves at a loss when trying to articulate exactly why his work was s...

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    Review: 'Assassination Games' Presents Direct-To-DVD Action On The Big Screen

    Inexplicably hustling into (limited) theaters this weekend is “Assassination Games,” a hitman actioner the likes of which you’ve seen before. Jean-Claude Van Damme is the big name attached, but the “star” is martial artist Scott Adkins. Together the two cinematic pugilists have been cutting a swath ...

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    Review: 'The Smurfs' Hopes Your Kids Like Aerosmith, Bodily Functions & Tim Gunn

    There’s nothing inherently wrong with movies, television and product for the younger, least discerning set. Overspecialization has flooded the market with the rise of the internet and 800-channel cable systems, but entertainment made solely for the least-challenged among us can lighten up the imagin...

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    Review: 'Life In A Day' A Thrillingly Personal YouTube Documentary

    Kevin Macdonald's gloriously free-form new documentary, "Life in a Day," hinges around the uncanny conceit that you – that is, the thousands of people who contributed footage on a single day last summer – have co-authored the film. In an audacious promotional stunt/joyfully new age-y technological experiment, and partially in honor of the fifth anniversary of user-generated giant YouTube, users from around the world were implored to send in videos of their lives. They received 80,000 submissions from 140 nations, which resulted in a whopping 4,500 hours worth of footage. That footage, whittled down and sequenced and set to music (under the sa...

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    Review: 'The Future' Showcases A Vital Filmmaker Still Sowing Her Oats

    In “Another Earth,” Mike Cahill’s recent science fiction picture, a cataclysmic event provides the backdrop for a small-scale human story about tragedy and mourning. In the upcoming Evan Glodell-directed “Bellflower,” the characters plan for an oncoming apocalypse just as one of them deals with a de...

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    Review: 'Point Blank' Is An Energetic, But Utterly Pointless French Thriller

    "French thriller" is one of those phrases, like "German chocolate" and "Swedish pop record," that inspires enthusiastic excitement even when, perhaps, it shouldn't. Take, for example, this week's "Point Blank," directed by Fred Cavayé (whose "Pour Elle" was remade as Paul Haggis' pitiable "The Next ...

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    Review: 'El Bulli: Cooking In Progress' Uses Simplicity To Achieve Quality

    Television has always made a great home for food. Various cooking shows populate the airwaves, either becoming a staple of one's TV-diet or the one station you linger on during a desperate channel-surfing session. It also wouldn't be worthy of the tube if it weren't processed through the vomit of reality TV, with shows like "Hell's Kitchen" and "Ace of Cakes" morphing people into exestuated personalities and following their bouncy, sometimes-quirky-sometimes-emotional (whatever gets more ratings) adventures in the eats biz. Still, people watch them, and despite the redundant programming, nobody is exactly screaming for a more realistic study ...

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    Review: 'The Guard' Is Ireland's Acidic Answer To The Buddy Cop Formula

    The following is a reprint of our review from the Tribeca Film Festival.

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