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Review

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    Cannes Review: 'The We & The I' Is A Testing, Patronizing Let-Down From Michel Gondry

    Like some Gallic version of Tim Burton, Michel Gondry's initial promise has given way to a series of films whose diminishing returns demonstrate that he's a talented visualist without the capacity for, or worse, any interest in, telling an actual story. Gondry's defenders will, of course, point to t...

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    Cannes Review: Blood & Water Flow Freely In Jacques Audiard's Beautiful & Moving 'Rust & Bone'

    What is it we do to survive? Who is it we love? Who is it we fight? What are the forces seen and unseen that push our lives in directions we could have never expected? These are the questions that Jacques Audiard tackles in his latest "Rust And Bone," a beautiful, moving story of two fractured lives...

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    Cannes Review: Wes Anderson's 'Moonrise Kingdom' Is A Tender Triumph Of Design, Decor & Rich Emotion

    Wes Anderson's "Moonrise Kingdom" seems like an odd choice to open the 65th Cannes Film Festival, with its deadpan Americanism, retro-set timeline and movie-star cast; at the same time, Anderson is clearly influenced by the New Wave, both cinematically and personally, he's a distinctive authorial vo...

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    Review: 'Something Ventured' A Dry & Repetitive Look At The Money Behind Some Of The Biggest Tech Firms In History

    From the outset, Dan Geller and Dayna Goldfine's "Something Ventured" probably isn't something everybody will enjoy. A documentary about venture capitalists, you need to already have something of an interest about the money that has powered some of the greatest technological advancements of the past...

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    Review: Jean Claude Van Damme & Cung Le Pic 'Dragon Eyes' Features Impressive Action, Empty Story

    Hong, the lead character in “Dragon Eyes,” might as well be a Man Without A Name when he wanders into the small town of St. Jude. He seeks a second chance, an opportunity to atone for past violent misdeeds seen in fuzzy flashback. It doesn’t take long for the viewer to realize this means a lot of pe...

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    Review: 'Norman Mailer: The American' Is A Cliffs Notes Look At The Life Of A Literary Icon

    Provocative, rebellious, a genius and an undeniable force on the American literary landscape, Norman Mailer was an author, social commentator, filmmaker and a personality whose outsized figure nearly eclipsed his two Pulitzer prizes. He had enough experiences and adventures for three lifetimes, and ...

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    Review: 'The Tortured' Might As Well Describe The Audience For Twisted Pictures' Latest

    For most viewers, there's no way to take a look at that Twisted Pictures logo and feel at ease. Sure, it's intimidating all on it's own -- dark lowercase lettering separated by barbed-wire, inky shadows. But it's an entirely different sort of fear that emerges from the house that Jam...

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    Review: A Breezy, But Meandering 'A Bag Of Hammers' Is Only Half A Movie

    There are ample pleasures of the half-movie. Features of the half-film include a lack of b-plot, a meandering tone, haphazard scenes, and a barely feature-length runtime. The reasons why productions result in half-movies usually come from vastly re-written scripts, overrunning schedules and/or eclip...

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    Review: 'God Bless America' Looks Incendiary, But Is Actually A Self-Congratulatory One-Note Screed

    Former shrill-voiced comedian turned acidic writer/director/satirist Bobcat Goldthwait may just be one of the most simultaneously electric and frustrating indie filmmakers working today. When it comes to deliciously wicked and acerbic premises, there might not be a better conceptualist. A devilishly...

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    Review: Sacha Baron Cohen's 'The Dictator' Rules With Comic Authority & Big Laughs

    At a first glance, Sacha Baron Cohen's "The Dictator" almost seems too easy. Another accent, another elaborate costume, more manscaping and this time with the softball target of despotic leaders -- it almost seemed as if the comic actor was pouring an ocean of fish into a tiny thimble and then point...

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