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Review

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    Review: 'Mister Rogers & Me' A Loose & Loving Tribute To America's Favorite Neighbor

    One of the biggest movies at the box office for children last year was "The Smurfs." Taking in over $560 million worldwide, the 3D, CG/live action reboot tossed in references to Aerosmith, "Rock Band," bodily functions and "Midnight Cowboy" (among many others) in a slic...

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    Counterpoint Review: 'The Hunger Games' Is A Tired, Overlong Blockbuster Lacking Flair & Imagination

    With "The Hunger Games" arriving in theaters this weekend and expected to blow up the box office, early reviews have been very positive and anticipation has been running high. Our own review called it "an engaging, thoughtful, populist piece of entertainment that transcends gender, genre or source m...

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    SXSW '12 Review: 'Eden' Is A Gripping Sex Slavery Drama That Isn't As Dour As It Sounds

    Often the problem when making an "issue" movie, wherein you tackle some far-reaching social, systemic, or religious injustice, is that scope often becomes too burdensome, with the given topic often begging for thoughtful, intimate conversation and not the broad strokes that cinema offers. The best i...

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    Review: 'Life's Too Short' Gets Darker, Grows More Incisive As It Heads Toward The Season Finale

    While Ricky Gervais and Stephen Merchant have been rightly celebrated for creating some of the best, most observant comedy of the last few years in "The Office" and "Extras," the success and brilliance of those shows have been possible due to their willingness to eviscerate ...

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    Review: 'Gimme The Loot' Is A Heartfelt But Dull Look At Two Teen Graffiti Artists

    Throughout "Gimme the Loot," you'll ask yourself the following question: why is this movie called "Gimme the Loot?" Then it becomes clear: if the movie were authentically named, it would probably be called "Bomb the Apple," since the two main characters (Tysheeb Hickson and Tashiana R. Washington) a...

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    SXSW '12 Review: 'Bay Of All Saints' An Honest Exploration Of The Communities Of The Waterfront Slums In Brazil

    Winner of of the Documentary Feature Audience Award at SXSW, "Bay of All Saints," directed by Annie Eastman, is an affecting little gem of a documentary, a look inside a world very different from our own, in the waterfront slums of Bahia, Brazil. These slums aren't so much waterfront as they are in ...

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    SXSW '12: 'Uprising: Hip Hop & The LA Riots' Is An Explosive Chronicle of A Pivotal Moment In Our Nation's History

    "Uprising: Hip Hop & The LA Riots" gets right to the point, starting off with a bang, or perhaps a police baton to the face, as Rodney King walks down the stretch of highway where his notorious beating took place, reenacting that fateful night. The film, produced by VH1 Rock Docs and directed by Mar...

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    SXSW '12 Review: 'Girls Against Boys' Is A Feminist (But All-Too-Familiar) Revenge Tale

    One of the more interesting aspects of this year's SXSW Film Festival is how it opened with Drew Goddard and Joss Whedon's barbed horror deconstruction "Cabin in the Woods" and then, for much of the rest of the festival, was content with showing movies that reiterated all the bad habits and hoary cl...

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    SXSW '12 Review: 'In Our Nature' An Exploration Of Discord & Dysfunction Backed By Strong Performances

    If it weren’t for dysfunctional relationships, independent films might never have any stories to tell. “In Our Nature” is the latest in a long line of small-scale films about children who don’t get along with their parents, and the terms both come to in the process of a share...

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    SXSW '12 Review: 'Lovely Molly' Is A Lovely (If Muddled) Old Fashioned Ghost Story

    Back in 1999, along with a confederate (Daniel Myrick), Eduardo Sanchez incorporated a somewhat creaky aesthetic to their horror film "The Blair Witch Project," using an updated version of the faux documentary approach that gave us everything from "Cannibal Holocaust" to "Zelig," adapting it to toda...

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