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Review

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    Review: 'Puss In Boots' A Fun Adventure & Worthwhile Spinoff From The Lagging 'Shrek' Franchise

    Where “Shrek” eventually scared audiences away with its ever-expanding ensemble and pop culture references culled from current events, “Puss in Boots” streamlines its cast of characters and aims for something more straightforward, in the process not only recapturing the oddball magic of the first two “Shrek” films but the more classical charms of DreamWorks pictures like “How To Train Your Dragon” and “Kung Fu Panda 2.” After juggling too many characters with too few new ideas in “Shrek The Third,” director Chris Miller takes advantage of the opportunity to explore his own world in the Puss-centric spinoff, creating an adventure that’s both c...

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    Review: Vintage Footage In Sigur Ros Concert Doc 'Inni' Teases At A Much More Interesting Movie

    Sigur Ros has never needed much of a big stage production to get the power of their expansive, orchestral and otherworldly music across in concert. When this writer saw them perform at the intimate Théatre Maisonneuve in Montreal circa the release of Takk, they opened the show with the title track, a giant white screen in front of the stage obscuring the band, who were backlit, casting huge shadows as the music swelled. As they transitioned into "Glosoli," the screen slowly raised, revealing the band, and really that was all they needed to completely have the crowd in the palm of their hand. While Sigur Ros' rising popularity has allowed them...

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    LFF '11 Review: Rebecca Hall Chiller 'The Awakening' Is Flawed, But Also Kind Of A Blast

    It might seem ingracious to complain, but film festivals can sometimes be something of a slog. For every transcendent piece of cinema, there are two or three well-meaning, firmly mediocre pictures clogged with mental illness, child abuse and miserable sex. Which is exactly why most film festivals mi...

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    Review: 'The Green' A Too Familiar & Predictable Tale Of A Couple Facing Crisis

    No matter how “evolved” we may be as a society, there’s always the off-chance that someone, in some culture, is completely flummoxed by the evidence of progress with which others have grown familiar. So the fact that “The Green” centers on a reasonably attractive gay male couple isn’t really worth a...

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    Book Review: 'Pauline Kael: A Life In The Dark' Is A Compelling Look At The Famed Critic

    Pauline Kael famously once said that people keep asking her to write a memoir, but she had to stress to them that she already had – her life was in her work, in her vivid, long-form essays and critiques (most notably for The New Yorker) on her favorite subject: film. As Brian Kellow's new biography,...

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    Review: Steven Spielberg's 'The Adventures Of Tintin' Is A Gloriously Enjoyable Mo-Cap Marvel

    Across his 40 year career as Hollywood's most beloved filmmaker, Steven Spielberg has tried his hand at many different things -- the blockbuster thrill ride, the family film, the comedy, the war film, hardcore science-fiction, serious dramas and whatever it was that "The Terminal" was, a diverse range of pictures united by that certain Spielberg je-ne-sais-quoi. But there's something he's never tackled directly himself; the animated film. Sure, he's produced TV cartoons like "Animaniacs," and even the occasional big-screen one, like "An American Tail" and "We're Back," but for the most part, the Bearded One has always preferred live action to...

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    Review: 'The Double' Is A Moth-Eaten Bag Of Cold War Clichés & Implausible Plot Twists

    There are few movies whose tone, intent, and general content can be easily discerned from the front chosen for the opening title cards. But by the end of the title cards for "The Double," a new spy thriller starring Richard Gere and Topher Grace, you know what kind of movie you're in for: the blocky...

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    Review: Roland Emmerich's 'Anonymous' Still Manages To Destroy Something -- Its Own Authenticity

    Combining the life-meets-art origin stories of “Ray” with the history-as-high melodrama of “Braveheart,” “Anonymous” marks a departure from director Roland Emmerich’s previous work as a purveyor of blockbuster destruction, but he still manages to destroy any credible sense of history with his speculative portrait of the man who might have been responsible for the works of William Shakespeare. Emmerich, casting his vote for the “Oxfordian” view of the playwright’s actual identity, turns what could have been an intelligent and provocative examination of fact and fiction into an overwrought and cretinous historical thriller that’s too busy disap...

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    FNC ’11: Alexander Sokurov’s 'Faust' An Odd, Dense Adaptation Of Goethe's Classic

    By Nikola Grozdanovic reporting from the Festival du Nouveau Cinema in Montreal.

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    NYFF Review: 'Goodbye First Love' Looks At Young Romance Without Affection

    Television and movies love to indulge us in pre-adulthood nostalgia. Whether the bait is loose (young hooligans causing a ruckus) or more specific and event-oriented (prom, which we've seen less of lately because, well, prom sucks), the powers that be tug at our heartstrings and force us to look back at a time free of major responsibilities and full of fresh experiences. The glazed schmaltz can be off-putting for some, but occasionally sincerity shines through and we get something that captures the emotions extraordinarily well (for this writer's money, "The Virgin Suicides" and "The Girl" are uneven but nail certain feelings on the head). Bu...

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