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Review

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    Cannes Review: Lee Daniels' 'The Paperboy' With Matthew McConaughey & Nicole Kidman Is A Disastrous Flop

    Many people will tell you that "The Paperboy" -- based on Pete Dexter's novel, brought to the screen by "Precious" director Lee Daniels -- is a trash masterpiece, an instant camp classic, so bad it's good. These people, these critics, are simply not to be trusted about any question of judgment for a...

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    Cannes Review: Carlos Reygadas’ 'Post Tenebras Lux' Is Singularly Strange, But Not Especially Impressive

    When discussing Carlos Reygadas’ “Post Tenebras Lux,” comparisons to “The Tree of Life” come easily, though Reygadas’s film is as far from a paean to God as it gets. In fact, while Malick’s movie has a sweeping, hands-on perspective on enlightenment and God, Reygadas’ (“Silent Light,” “Battle in Hea...

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    Review: 'Oslo, August 31st' A Tender, Bleak Search For Hope

    A reprint of of our review from the 2011 Cannes Film Festival.

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    Cannes Review: Beat Classic 'On The Road' Comes To The Screen In Lustrous-But-Long-Winded Fashion

    Jack Kerouac's "On the Road" has been heralded for decades: an important novel, a cultural signifier, a sociological landmark, a cracking good read. It's also been considered "unfilmable" -- but now Walter Salles ("The Motorcycle Diaries," "Dark Water") brings the novel to the screen, and "The Motor...

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    Cannes Review: 'Me And You' A Middling Return For Bernardo Bertolucci

    It's been nine years since the last feature film from Bernardo Bertolucci, and for a moment there, it looked like "The Dreamers" would be the final effort from the currently wheelchair-bound filmmaker. And while we're glad he's re-energized and back to making movies, unfortunately, "Me And You" will...

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    Cannes Review: It's Isabelle Huppert Times Three In Hong Sang-soo's Light 'In Another Country'

    Heaviness tends to dominate the Cannes Film Festival, and this year is no different. Death ("Amour"), doubt ("The Hunt"), losing limbs ("Rust And Bone") and religious fanaticism ("Beyond The Hills") are just some of themes that have cropped up so far as we get to the halfway point of the fest. And w...

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    Cannes Review: Brilliant & Angry 'Killing Them Softly' Is The Anti-Thriller For Our Times

    "What is that American promise? It's a promise that says each of us has the freedom to make of our own lives what we will, but that we also have obligations to treat each other with dignity and respect," Barack Obama said at the Democratic National Convention in 2008. And that section of the speech ...

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    Cannes Review: Ken Loach's 'The Angel's Share' Is Slight, Sitcom-y & Suspense-Free

    The working class are a little funny in “The Angels’ Share,” English director Ken Loach’s new bluecollar comedy. “The Angels’ Share” is Loach’s (“Kes”) latest film to play Cannes after his “The Wind That Shakes the Barley” won the 2006 Palme D’Or and both "Route Irish" and "Looking for Eric" played ...

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    Cannes Review: 'Room 237' An Outstanding, Fascinating & Funny Exploration & Celebration Of 'The Shining'

    Is "The Shining" just a horror movie about a guy who goes berserk in a hotel, or is it subversively about the history of American genocide? Why did Stanley Kubrick use cans of Calumet and Tang in the hotel's storeroom? Were these just random products, or were they each chosen and framed in the camer...

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    12 Reviews From Cannes 2012: 'Amour,' 'Moonrise Kingdom' and More

    We've hit the halfway point of this year's Cannes Film Festival. Indiewire senior editor and film critic Eric Kohn has caught all of the biggest films from directors like Alain Resnais, Michael Haneke, Cristian Mungiu. To help you keep track, we've compile a list of all of our first doze...

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