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Review

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    Review: 'Red Tails' Is A Hoary Mixture Of Jingoistic Clichés & Newfangled Technology

    George Lucas has been pretty outspoken about how difficult his "Red Tails" was to get made – that he had to finance it himself, and when he showed it to studio heads they weren't much interested. And he's framed these stories around race, saying that the reason that "Red Tails" was summarily rejecte...

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    Review: 'The Grey' Pits Stock Characters Against Cartoon Wolves

    It wasn’t long ago that Liam Neeson was considered a prestigious name in film. Though his early career was peppered with genre roles, “Schindler’s List” put him on the map as an awards-friendly leading man. But in the past few years, Neeson has reinvented himself once again, into the hardest of men,...

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    Review: Documentary ‘Enemies Of The People’ A Frequently Gripping Search For Justice In The Cambodian Killing Fields

    The worst of human history has a way of bubbling under the surface, burying under the skin of collaborators, killers and leaders. Cambodia’s Khmer Rouge regime, responsible for approximately two million deaths, has remained in the country's national psyche in a uniquely chilling manner. Th...

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    Review: Spanish Oscar Contender 'Black Bread' A Melodramatic, Yet Compelling Story Of Post-Spanish Civil War Life

    Somewhere in the mouth of a vast, dreary weald, a merchant trucks along with his wares. He stops briefly to check his wagon but is startled by some rustling nearby. At this point, even the most novice movie-goer can figure out that this man won't make it out of these woods alive. In a sequence t...

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    Review: Lynne Ramsay's 'We Need To Talk About Kevin' Is Bleak, But Haunting

    "We Need to Talk About Kevin" is one of the most beautifully bleak psychological fake-outs the cinema's given us in years, as Lynne Ramsay ("Ratcatcher," "Morvern Callar") directs an adaptation of Lionel Shriver's 2003 novel. At first blush, Ramsay's film would appear to be a look into the genesis a...

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    Review: 'Don't Go In The Woods' A Horror/Musical That Hits A Sour Note

    Sometimes your headlines write themselves. When a film features a warning right in the title, that’s playing with fire. In the case of Vincent D’Onofrio's woeful directorial debut, the warning is more than prophetic. Based on a script by Sam Bisbee and Joe Vinciguerra and a story by ...

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    Review: 'Fake It So Real' An Intimate Look At An Independent Wrestling Federation

    “People say jazz is the great American art form. Jazz is dead. I think wrestling is the great American art form." - PITT

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    Review: Xavier Gens' 'The Divide' Is Silly, Clichéd Apocalyptic Trash

    It seemed, to us at least, that there was a strangely apocalyptic cloud that was cast over many of the SXSW film festival selections in 2011 – things like "Bellflower" all the way up to "Attack the Block" had a definite "end of days" feel. "The Divide" m...

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    Review: Don't Let The Awkward & Clumsy 'Loosies' Pick Your Pocket

    The poster for “Loosies,” a new film written, produced, and starring Peter Facinelli, best known for his role as the big daddy vampire in the “Twilight” movies, makes it look incredibly dangerous and edgy despite the fact that its name suggests some son-of-“Porky’s” sex comedy (it’s a reference to b...

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    Review: 'Beauty and the Beast 3D' Is The Same Great Movie, With Some Added 3D Charm

    It's easy to forget, what with the endless string direct-to-video sequels and long-running musical and theme park omnipresence, what a big deal "Beauty and the Beast" was when it first opened in 1990. But it was. It screened at the 1991 New York Film Festival in an incomplete form (the next time the...

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