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Review

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    Rewind Reviews: 'Dragon Tattoo,' 'We Bought A Zoo,' 'Extremely Loud' & 'Pina'

    We know it's a busy time of year, with a plethora of movie choices crowding up the multiplex, and even more coming in the next few days. We thought we'd make it easier to read and find a few reviews of films that come out this week that we ran recently, to refresh your memory and maybe point...

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    Book Review: 'The Hammer Vault' Is A Historically Rich Treasure Trove

    When we reviewed the poster collection "The Art Of Hammer," an overview of the great British studio Hammer Films, we marveled over each slickly reproduced page. And while the experience was lovely (and lasted well beyond our time looking over and reviewing the book, it was about as superficial an ex...

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    Review: Cross-Dressing 'Albert Nobbs' A Stodgily Straight Drama

    For Glenn Close, "Albert Nobbs" has been a long time coming for its big screen incarnation. Based on a short story by Irish author George Moore, it was first adapted into an off-Broadway production by Simone Benmussa with Close in the lead role that won her an Obie award. The actress has been a driv...

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    Review: 'Extremely Loud And Incredibly Close' Is Often Moving But Insufficiently Effective

    Oskar Schell, the protagonist of "Extremely Loud And Incredibly Close," isn’t like other boys. Sure, he likes laughing and junk food and having a good time like the other kids. But this overly precocious ten year old is more of an Encyclopedia Brown in training. With the guidance of his father, he p...

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    Review: 'Corman's World'

    In Alex Stapleton's dazzling, honest, oddly emotional new documentary "Corman's World: Exploits of a Hollywood Rebel," Roger Corman, the now-85-year-old filmmaker behind such films as "Little Shop of Horrors" and "Death Race 2000," is depicted as a doggedly inde...

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    Review: Steven Spielberg's 'War Horse' An Awards Bait Movie Overloaded With Nostalgia & Sentiment

    If David Thomson was accurate when he said of Tom Hanks, “he carries the automatic sentiment of a dog in a film about people,” then the hero of Steven Spielberg’s “War Horse” is the equine equivalent of Tom Hanks: among his human counterparts he attracts such instantane...

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    Review: 'Carnage' Is Fun While It Lasts, But Insubstantial & Anonymous

    Compared to his last film, Roman Polanski's "Carnage" must have been a breeze. Not that the shoot for "The Ghost Writer" was "Fitzcarraldo" or anything, but, famously, the project hit a major speed bump in September 2009, while the film was in post-production, when ...

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    Marrakech Film Festival '11 Reviews: 'Land of Oblivion' Starring Olga Kurylenko & '180°' The Swiss-German Version Of 'Crash' (Basically)

    "Land of Oblivion" It is 25 years ago in the small Ukrainian town of Pripyat. People are fishing. A boy goes to look at the tree he and his father planted. A woman prepares for her wedding. And then it starts to rain - not, in itself, a doom-laden event, except if you know that Pripyat w...

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    Review: David Fincher’s ‘Girl With The Dragon Tattoo’ Is An Intense But Dispassionate Thriller

    Looking at “The Girl With The Dragon Tattoo,” it’s hard not to think of the dark thriller cum procedural as director David Fincher’s “The Departed." Notwithstanding both films being inspired by/remade from acclaimed foreign predecessors, Fincher and Scorsese alike seem to be saying with them, “You w...

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    Review: 'The Sitter' Is A Rough, But Absurdist Romp & Serves As a Natural End Point For David Gordon Green's Comedy Exploration

    While formulaic and lazy in its plotting, employing clichés upon clichés and opportune plot conveniences at every turn, David Gordon Green’s scrappy, loose and rough-around-the-edges mainstream comedy, “The Sitter,” is still by and large, an enjoyable little lark than...

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