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Review

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    Review: Discovering People Like Dirty Sex Breaks Juliette Binoche's Brain In 'Elles'

    We live in a pretty progressive time where fetishes and other various sexual peccadillos are common knowledge if not comfortably discussed. But in Malgoska Szumowska’s weirdly old fashioned, quasi made-for-TV "Elles," Anne (Juliette Binoche) nearly has a nervous breakdown while resea...

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    Tribeca Review: Troubling Doc 'Sexy Baby' Looks At The Indoctrination Of Women Into A Porn-Centric World

    “Sexy Baby,” a new documentary premiering at the Tribeca Film Festival, is problematic from it’s early, explicit pornographic sequences to its bewildering final shot close-up of an actual newborn baby. Ostensibly, the narrator-less film uses the stories of three separate white girls to illustrate th...

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    Review: 'Keep The Lights On' A Moving & Engrossing Chronicle Of Two Men In Love

    With "Keep the Lights On," co-writer/director Ira Sachs has made a triumphant return to Sundance. His latest drama is a beautiful exploration of a relationship’s progression from start to finish. With great tact and depth of feeling, Sachs shows us that the most remarkable thing about any relationsh...

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    Tribeca Review: 'Hysteria' Is The Vibrator Comedy Movie You Can Watch With Your Mom

    It turns out that all Sabina Spielrein needed to get over her hysteria was not Freud or Jung or the talking cure, but just a really good fingering. Indeed, the course of sexuality and/or psychoanalysis might have been irrevocably altered had Sabina taken a trip to London to visit Dr. Robert Dalrympl...

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    Tribeca Review: '2 Days In New York' A Funny & Welcome Sequel Worthy Of Its Predecessor

    Taking place a few years after “2 Days in Paris,” with the events from that film summed up in a puppet show, Jack (played Adam Goldberg) is gone and Marion (Delpy) lives in New York with her boyfriend Mingus (Chris Rock) and their respective children from previous relationships. Both le...

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    Tribeca Review: Humor & Heartbreak Mix Unevenly In the Slight ‘Lola Versus’

    Employing a hybrid of smart and quippy comedic observations, a perceptive outlook on the complications of 20/30-something relationships in New York and genuine moments of romantic heartache, the romantic comedy “Lola Versus” can’t seem to synthesize these elements into a fully satisfying experience ...

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    Review: 'Sound Of My Voice' A Sparse, Sturdy Debut By Zal Batmanglij With A Star Turn By Brit Marling

    A sterile basement, untouched by tainted hands. A small coalition of the willing, clean, bright-eyed and brimming with a mixture of fear and optimism. A beautiful woman with a secret, clad in white, attached to a breathing apparatus, telling an outlandish story. Like the listeners, you hang on to ev...

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    Tribeca Review: 'Babygirl' A Slight Diversion About A Girl's Coming-Of-Age

    It's a surprise that "Babygirl" director Macdara Vallely hails from Ireland. His new film, premiering at The Tribeca Film Festival, hums and buzzes with the authentic regional pleasures of the Bronx, the dialects, the smoky bodegas, the sizzling summer pavement. "Babygirl," w...

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    Review: 'Strange Fruit' A Solid, Fascinating Look At The Groundbreaking Failure Of The Beatles' Apple Records

    While Radiohead weren't the first band to break free of the coporate machine, and drop an album on their own terms, they were easily the most promiment. And while this was par for the course for underground artists and bands through the '80s and '90s who thrived within a specific independent framewo...

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    Tribeca Review: 'Replicas' Sadly Seems More Interested In Cheap Thrills Than The Haneke-Level Chills It Promises

    The Hughes family is one just barely clinging to hope after a terrible tragedy. Following the loss of their daughter, Mark (Josh Close), Mary (Selma Blair) and their preteen son Brandon attempt to heal together at their upstate vacation home, the air thick with tension. Mark has been working so hard...

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