Norway's Oscar-nominated Foreign-Language entry, the enjoyably supersized “Kon-Tiki,” follows the real-life adventures of explorer Thor Heyerdahl, who, in 1947, embarked on an eccentric mission across the Pacific Ocean, from Peru to Polynesia, on a wooden raft. His goal was to prove that Polynesia.....
Read More »There is a moment in Broadway's "I'll Eat You Last: A Chat with Sue Mengers," as the one-time Hollywood agent extraordinaire is perched on her upholstered throne in Beverly Hills, that you half expect to see Erich von Stroheim cross the stage with a young William Holden in tow.
Read More »Gore Vidal would have hated “Adult World,” the Emma Roberts vehicle that premiered at Tribeca last night. “He had a great **** detector,” notes the veteran journalist Robert Sheer, in Nicholas Wrathall’s doc “Gore Vidal: The United States of Amnesia,” which also premiered last night at Tribeca, whic...
Read More »The Tribeca Film Festival hasn’t exactly been synonymous with documentaries, even if they opened with one the other night -- “Mistaken for Strangers,” Tom Berninger’s off-beat take on his brother’s band, The National. But a special place should be reserved for “The Genius of Marian,” which is about ...
Read More »As always, the feature films at Tribeca (April 17-28) are a mixed bag, which makes it difficult to identify trends. That said, think horror and Israel, and the broader Middle East. The Israelis are back with two features (one a world premiere) that are sure to get attention. Whether they warm anyone...
Read More »My own fever dream of Cary Grant takes place between cities, sitting down for a Gibson with Eva Marie Saint on a moving train somewhere in Middle America. Headed "North by Northwest," he's at his sexiest then, temples just flecked with gray, tanned and almost ageless. He's not just the recipient of ...
Read More »There are no dinosaurs in Terrence Malick's sixth feature, but there are bison, sea turtles, prairies, toxic sludge, sun-dappled water, more prairies, a conflicted priest (Javier Bardem) and enough pirouetting by Olga Kurylenko to make you imagine that she probably felt dizzy at the end of each day'...
Read More »"Simon Killer" marks the second feature by Antonio Campos, who previously wrote and directed the Cannes Un Certain Regard selection "Afterschool" (2008). "Simon Killer" is an icy exercise in troubled masculinity, and a bold pronouncement of cinematic style that's as strong an American indie as any i...
Read More »"Blancanieves" is Pablo Berger's magical Spanish transposition of the Snow White myth into the thrilling arena of bullfighting and flamenco. Opening Friday in New York at the Paris as well as the Angelika, this sumptuous black-and-white silent drama is cause not only for celebration, but for reflect...
Read More »A funny thing happened on the way to reviewing “Room 237.” When I first watched Rodney Ascher’s documentary about fanatical theories on Stanley Kubrick’s “The Shining,” I found it so patience-testing and angering that I had to turn it off at the halfway point. When I watched it a second time, obliga...
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