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Reviews

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    Now and Then: Cary Grant, The Man from Dream City, Revisited (CLIPS)

    My own fever dream of Cary Grant takes place between cities, sitting down for a Gibson with Eva Marie Saint on a moving train somewhere in Middle America. Headed "North by Northwest," he's at his sexiest then, temples just flecked with gray, tanned and almost ageless. He's not just the recipient of ...

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    Review: Malick Stumbles with 'To The Wonder'

    There are no dinosaurs in Terrence Malick's sixth feature, but there are bison, sea turtles, prairies, toxic sludge, sun-dappled water, more prairies, a conflicted priest (Javier Bardem) and enough pirouetting by Olga Kurylenko to make you imagine that she probably felt dizzy at the end of each day'...

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    Review: Antonio Campos Returns with Sexy, Disturbing 'Simon Killer,' Q & A

    "Simon Killer" marks the second feature by Antonio Campos, who previously wrote and directed the Cannes Un Certain Regard selection "Afterschool" (2008). "Simon Killer" is an icy exercise in troubled masculinity, and a bold pronouncement of cinematic style that's as strong an American indie as any i...

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    'Blancanieves' Review: 'Snow White,' Spanish Style

    "Blancanieves" is Pablo Berger's magical Spanish transposition of the Snow White myth into the thrilling arena of bullfighting and flamenco. Opening Friday in New York at the Paris as well as the Angelika, this sumptuous black-and-white silent drama is cause not only for celebration, but for reflect...

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    'Room 237' Review: Why I Hated, Then Admired 'Shining' Doc

    A funny thing happened on the way to reviewing “Room 237.” When I first watched Rodney Ascher’s documentary about fanatical theories on Stanley Kubrick’s “The Shining,” I found it so patience-testing and angering that I had to turn it off at the halfway point. When I watched it a second time, obliga...

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    Review Roundup: Tim Sutton's Debut Feature 'Pavilion' is a Lyrical Exploration of Youth

    Tim Sutton's directorial debut "Pavilion," which premiered at the 2012 SXSW Film Festival, is now available via Factory 25 and Oscilloscope Labs on VOD, iTunes, Amazon and more digital platforms. The film opened theatrically in select cities on March 1st, to critical praise.

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    Now and Then: Quentin Dupieux's 'Wrong' Exposes the Limits of Surrealism

    Drafthouse Films, the distributor of Quentin Dupieux's bizarre new film, "Wrong," describes the French director and electronic musician (stage name: Mr. Oizo) as "one of the world’s most fearless cinematic surrealists." The surreal does indeed seem to be Dupieux's preferred register, but this leads ...

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    'Trance' Director Danny Boyle Channels Evil Side with Naked Femme Fatale: Exclusive Interview, Early Reviews

    "Trance" is stylish escapist fun that makes excellent use of reflective surfaces including the iPad, among other visual tricks--when it isn't pummeling you into submission. Boyle isn't one to sit back and let you feel calm and relaxed. Early reviews by trade critics claim that style trumps substance...

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    Review Roundup: 'Phil Spector' a Sinfully Entertaining Treat Starring Wigged-Out Al Pacino

    HBO's "Phil Spector" (March 24) directed by David Mamet and starring a tantalizingly wigged-out Al Pacino and Helen Mirren, is mostly receiving praise from critics. Pacino's performance is being touted as "compelling, both despite and because of the wigs," while Mamet's direction is called "sinfully...

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    Weekend Preview: Promising and Diverse Film Fare All Around, 'From Up on Poppy Hill' to 'Ginger & Rosa' and 'Spring Breakers'

    This weekend sees a number of well-reviewed films in limited release. Sally Potter's lovely coming-of-age drama "Ginger & Rosa" stars a remarkable Elle Fanning nimbly handling the role of a budding teen poet struggling to come to terms with her family's latest break-up and the Cuban Missile Cris...

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