While Fox tried to cap the reviews on Avatar with an embargo, London's Guardian reviewed from the premiere (where MTV's Josh Horowitz tweeted the red carpet) and The Hollywood Reporter posted an early review, then Variety. (The rest will follow: the Avatar embargo has been lifted by Fox.) Tweets hav...
Read More »It's not news that film critics are under assault as print publishing struggles to survive. (Here's Sean Means' updated list of 60 "departed" critics since January 2006.) When faced with the harsh reality of future prospects, heavy workload or the low wages of freelance journalism, some are getting ...
Read More »Must-Sees:Jason Reitman's Up in the Air has been deemed a too-dark marketing challenge. But the movie's strength is the way it skips past conventional genre cliches while deftly taking its characters through romantic escape and isolation--and the tough economy. Paramount Pictures is one of the few s...
Read More »All of a sudden, with the Thanksgiving Day weekend, there's more than enough good movies to see.
Read More »John Woo's historic epic Red Cliff is one of the best films of the year. Already a huge hit in Asia, which financed the original two-part $80-million five-hour war film (the most expensive movie ever produced in China), the two-and-a half-hour western cut of Red Cliff launched stateside last week in...
Read More »As IndieWIRE builds up its critics pages (CriticWIRE), two veteran critics are joining the IW Blog Network: Reel Geezers Marcia Nasatir and Lorenzo Semple, Jr.
Read More »First, AICN's Harry Knowles ran his review of The Lovely Bones. And now that the Royal Premiere has taken place in London, there's no holding back the floodgates.
Read More »When new distributor Summit left behind Twilight director Catherine Hardwicke in its rush to push through the second film in their windfall franchise, they took a calculated risk. Abandoning a silly Twilight script that had been passed on by Paramount, Hardwicke and writer Melissa Rosenberg went ba...
Read More »The movie most likely to succeed this weekend is Roland Emmerich's 2012, which I look forward to seeing with a crowd. The critic-proof doomsday movie is expected to do $40-50 million on over 3400 screens. I just want to see the VFX. That's what Emmerich is good at. Even in the trailer John Cusack lo...
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