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Reviews

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    SXSW: Jodie Foster Intros The Beaver, Starring "Beloved" Mel Gibson, to Upbeat Response; See Clips

    Jodie Foster took Austin's Paramount stage for the Wednesday night premiere of The Beaver, a dark, moving family drama centered on Mel Gibson, who is well-cast as a tortured man in crisis. (See indieWIRE's review; here's Hollywood Wiretap's round-up).

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    SXSW: Early Reviews of Bridesmaids, Starring Kristin Wiig, Jon Hamm, Maya Rudolph

    Universal tried to bring Office director Paul Feig and writer-actress Kristin Wiig's dumb-female comedy Bridesmaids (May 13) to SXSW as a work-in-progress, but as soon as the director admitted that it was a final cut from the Paramount stage Sunday night, Variety critic Joe Leydon whipped out his ti...

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    Errol Morris Talks Tabloid and Other Strange Topics

    Errol Morris's Tabloid was one of my fave films at the Toronto Film Festival, from which Sundance Selects eventually acquired the truth-is-stranger than-fiction doc. It's screening at SXSW. Morris discovered the nugget of this story, about Joyce McKinney and her obsessive love with a man she tries t...

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    SXSW Day One: Early Buzz, Opener Source Code Plays Well

    People keep telling me to see Ti West's horror flick The Innkeepers. So I'll check it out Saturday night. That's what film festivals do. They start buzz on a movie that few have seen or know anything about, and suddenly a career is born--or not.

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    Weekly Wrap: Jane Eyre Interviews, Western Revivals, Guide to Fairy Tales, Miral, Fandor, Finke

    - Deadline Update: Why HBO Turned Down Keaton’s Tilda, Finke vs. Academy and The Wrap.

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    Battle: Los Angeles, Jane Eyre, Red Riding Hood, Certified Copy, Mars Needs Moms, Black Death

    [Pictured: Red Riding Hood, Battle: Los Angeles, Jane Eyre]There is something for everyone this weekend. If you are somehow still in the mood for mass destruction, despite the tragedy that has befallen Japan, check out Battle: Los Angeles. More interested in classic love stories? Jane Eyre is Sin Nombre director Cary Fukunaga's smart retelling of Charlotte Bronte's gothic novel; Abbas Kiarostami's Certified Copy offers a complex investigation of originality, value and love ripe for post-screening debate. Red Riding Hood and Mars Needs Moms should keep younger audiences entertained for a few hours. Indies Black Death and Kill the Irishman prov...

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    Red Riding Hood Reviews: "Snoozy Lulluby," "Hokum at Best," "Generic," "Moon-faced and Dumb"

    IndieWIRE's Caryn James says that Red Riding Hood makes Twilight look good. You've been warned. Below, a round-up of reviews on Catherine Hardwicke's reinterpretation of the classic fairy tale, which has been told in various forms since the 14th century. This latest retelling didn't get the Disney P...

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    Weekend Box Office: Animation Rules as Rango Wins Opening Duel with Adjustment Bureau

    As the studios chase branded entertainment, the one genre open to original thinking is animation. Who can blame Gore Verbinski, after three Pirate movies, for heading back to the old West with a John Logan homage to westerns, top-of-the-line Industrial Light and Magic animation, and Johnny Depp lead...

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    Rango, Adjustment Bureau, Beastly, Take Me Home Tonight, I Saw the Devil: Blockbuster Weekend?

    2011 is due for its first blockbuster weekend. From Johnny Depp's animated Rango and Matt Damon and Emily Blunt's The Adjustment Bureau to teen flick Beastly, 80s throwback Take Me Home Tonight and Korean horror film I Saw the Devil, all the demographic bases are covered. We recommend Damon and Blun...

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    Potiche Early Reviews: Delicious French Feminist Comedy

    A fest favorite at Venice, François Ozon's feminist comedy Potiche (New York and LA, March 24, followed by a national release), stars a comedic Catherine Deneuve as a 70s trophy wife who takes over her husband’s umbrella factory while he is away and loves it so much that she tries to take it back fr...

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