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    The Social Network Update and Review

    Given the way things pile on now, you've already read more than you want to know about a movie you are dying to see, David Fincher's The Social Network. Some of you will go to the New York Film Festival September 24; others will wait until it opens October 1.

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    Salon The Town Review Attacks Affleck for Celebrity Malaise

    While the rest of the world is restoring Ben Affleck to star status after his well-reviewed and well-attended The Town opening, Salon's Andrew O'Hehir is playing Armond White. He detects "troubling signs of celebrity malaise" in The Town, compared to Affleck's directorial debut Gone Baby Gone: "you...

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    Contraband Stars Beckinsale, Wasikowska vs. Phoenix, Panettiere as Amanda Knox

    - Working Title is remaking 2008 thriller Reykjavik-Rotterdam (Iceland's 2009 Oscar submission) for American audiences. Kate Beckinsale will reportedly star opposite Mark Wahlberg in the retitled Contraband. He plays an alcohol smuggler-turned-security guard being lured back into below-ground busine...

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    Boardwalk Empire: Best TV Pilot of 2010 and Third-Best Scorsese Movie of This Century

    I have ordered my TiVo Season Pass to Martin Scorsese and Terence Winter's Boardwalk Empire, which starts on HBO tonight. TOH critic Tim Appelo has already seen it. "(Steve) Buscemi and (Michael) Pitt have roles to kill for, their best career catapults yet," Appelo writes in his rave review:In the S...

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    TIFF Client 9: The Rise and Fall of Eliot Spitzer Review, and Alex Gibney Talks

    Alex Gibney's hugely entertaining Eliot Spitzer doc, Client 9: The Rise and Fall of Elliot Spitzer, is a leading contender for this year's doc Oscar. The movie is full of surprises. In my flip cam interview with Gibney (below) he explains how the story he tells turned out far different from what he ...

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    Rotten Tomatoes Goes Social

    Founded in 1998, movie-review aggregator Rotten Tomatoes is making changes under new owner Flixster. It’s going social.

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    Toronto Diary: Meek's Cutoff and Mysteries of Lisbon Are Snoozes; SUPER is Rousing

    After Meredith Brody's sustained Toronto pace of viewing and reviewing films, I felt compelled to take her to dinner, where we were joined by our pals Bernie and Martin, who scored a table at one of Toronto's finest, Nota Bene, after which she composed her latest missive (in which she's tougher on M...

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    TIFF Diary: Remembering Chabrol, Potiche, I Saw The Devil, Monsters, Brighton Rock

    In her ongoing Toronto journal, day five, Meredith Brody starts off remembering Claude Chabrol:So I realized trudging home from the subway last night that the reason I hadn’t remembered that the Toronto subway doesn’t begin running until 9 a.m. on Sunday was that I never had been obliged to use the ...

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    TIFF: Eastwood's Hereafter Debuts in Toronto to Mixed Reaction

    One of the things that happens at a fest like Toronto is bad timing: I went to see Barney's Version at Roy Thomson Hall Sunday night with a ticket in my pocket for the later public screening of Clint Eastwood's Hereafter at the Elgin/Visa, a brisk fifteen-minute walk away. But producer Robert Lantos...

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    The Social Network Early Reviews: Suspenseful, Absorbing, Compelling, Oscar Frontrunner

    Film Comment's Scott Foundas got the ball rolling a month before David Fincher's The Social Network was set to open the NYFF ("big and brash and brilliant") on September 24. And Rolling Stone's Peter Travers swiftly offered up a juicy Tweet quote: “David Fincher’s Social Network is the 1st film I’ve...

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