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Reviews

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    Telluride Review: The King's Speech Heads for Oscars

    Critic Tim Appelo reports from Telluride that The King's Speech is a serious Oscar contender. Buck Henry likened the Telluride Film Festival to Valhalla, the place where cinema’s great warriors go for eternal glory – say, tonight’s tribute honoree Claudia Cardinale. But Valhalla is Old Norse for “Ha...

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    Fest Review Round-Up: Never Let Me Go, Tabloid, Somewhere

    While the Venice Fest is on its fourth day, Telluride got under way Friday night with screenings of Mark Romanek's Never Let Me Go, Errol Morris's latest doc Tabloid and Peter Weir's prisoner-of-war drama The Way Back, which fewer people instantly reviewed. @EugeneNovikov tweeted: "THE WAY BACK (B) ...

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    Venice Early Review: Sofia Coppola's Somewhere Views Empty Movie Star

    Write what you know. And Sofia Coppola knows Hollywood.

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    Venice Opens with Aronofsky's Black Swan: Too Intense?

    The opening night selection of the sexy R-rated violent thriller Black Swan was something of a gamble for Fox Searchlight and the Venice Fest, which landed loyal fan Darren Aronofsky--after rousing Venice receptions for both The Fountain and The Wrestler, which won the Golden Lion. He talked Searchl...

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    Venice Day One: Black Swan Early Reviews, Machete

    As a Venice newbie, I got off the speed train from Rome, exited the station to a canal and grabbed a 40-minute ferry to the island the Lido. It's an adjustment. Basically a subway is a ferry here, a taxi is a motor boat or gondola, and houses have water in their basements with a garage for their boat (below). Trucks are boats too; Venice is under constant construction, like New Orleans. The Lido is a lovely resort (a bit like Fire Island or Catalina); I figured out that I needed to rent a bike to get around (I get a silly kick out of passing slow riders on the left). The casino location of the film festival (this is the 67th) is a maze of cor...

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    Critic vs. Critic: The Changing Landscape of Movie Coverage

    Moviefone's Jack Mathews and I are squabbling again, this time in a new column we're calling Critic vs. Critic, in which we debate the latest trends and topics in movies. This week, Mathews and I take on the changing face of movie coverage, now dominated by the Internet.

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    A Social Network Starts Too-Early Oscar Buzz

    David Fincher, Scott Rudin and the Sony marketing team are all smiles over a very early rave review from Film Comment of The Social Network, followed by a tweet from Rolling Stone critic Peter Travers (proffering an ad quote after A Social Network lost its Hot Issue cover to Barack Obama): "David F...

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    The Illusionist: Trailer and Early Reviews

    2-D lives! The Illusionist, the latest animated feature from the French animator behind The Triplets of Belleville, Sylvain Chomet, didn't make it to Cannes after it scored big in Berlin in February. Sony Pictures Classics scooped up the film, which is based on an unproduced screenplay by the late g...

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    Scott Pilgrim vs. the World Reviews Are Middling; Wright Talks

    Most of the time, when I look at a movie--whether or not I'm inside the target demo-- I know what I'm looking at, I can understand its language, which tends to be fairly universal. Rarely have I felt more in a world that I do not comprehend, than at Scott Pilgrim vs. the World. But I knew when watch...

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    Eat Pray Love Early Review: A Shallow Guilty Pleasure

    Ryan Murphy's film adaptation of Eat Pray Love, Elizabeth Gilbert’s bestseller about the divorced New Yorker's lone odyssey to Italy, India and Bali in search of meaning in her life, delivers an escapist Julia Roberts romance and exotic travelogue. But its pleasures are guilty and skin-deep.

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