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Reviews

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    Venice Day One: Black Swan Early Reviews, Machete

    As a Venice newbie, I got off the speed train from Rome, exited the station to a canal and grabbed a 40-minute ferry to the island the Lido. It's an adjustment. Basically a subway is a ferry here, a taxi is a motor boat or gondola, and houses have water in their basements with a garage for their boat (below). Trucks are boats too; Venice is under constant construction, like New Orleans. The Lido is a lovely resort (a bit like Fire Island or Catalina); I figured out that I needed to rent a bike to get around (I get a silly kick out of passing slow riders on the left). The casino location of the film festival (this is the 67th) is a maze of cor...

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    Critic vs. Critic: The Changing Landscape of Movie Coverage

    Moviefone's Jack Mathews and I are squabbling again, this time in a new column we're calling Critic vs. Critic, in which we debate the latest trends and topics in movies. This week, Mathews and I take on the changing face of movie coverage, now dominated by the Internet.

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    A Social Network Starts Too-Early Oscar Buzz

    David Fincher, Scott Rudin and the Sony marketing team are all smiles over a very early rave review from Film Comment of The Social Network, followed by a tweet from Rolling Stone critic Peter Travers (proffering an ad quote after A Social Network lost its Hot Issue cover to Barack Obama): "David F...

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    The Illusionist: Trailer and Early Reviews

    2-D lives! The Illusionist, the latest animated feature from the French animator behind The Triplets of Belleville, Sylvain Chomet, didn't make it to Cannes after it scored big in Berlin in February. Sony Pictures Classics scooped up the film, which is based on an unproduced screenplay by the late g...

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    Scott Pilgrim vs. the World Reviews Are Middling; Wright Talks

    Most of the time, when I look at a movie--whether or not I'm inside the target demo-- I know what I'm looking at, I can understand its language, which tends to be fairly universal. Rarely have I felt more in a world that I do not comprehend, than at Scott Pilgrim vs. the World. But I knew when watch...

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    Eat Pray Love Early Review: A Shallow Guilty Pleasure

    Ryan Murphy's film adaptation of Eat Pray Love, Elizabeth Gilbert’s bestseller about the divorced New Yorker's lone odyssey to Italy, India and Bali in search of meaning in her life, delivers an escapist Julia Roberts romance and exotic travelogue. But its pleasures are guilty and skin-deep.

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    Early Reviews: The Expendables

    The two trades are split on the new action flick The Expendables, which I have been avoiding like the plague--clearly I am not in the target male demo. Interestingly, THR's Sheri Linden finds the testosterone fest worthwhile, while Variety's Peter Debruge does not. UPDATE: Time Out London does not m...

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    AMC’s Rubicon: Pattern Recognition, Left-Wing 24?

    The cable series Rubicon debuts Sunday night. Reviewer David Chute recommends it: "After the two excellent back-to-back episodes that comprise its Sunday night 'premiere event,' Rubicon promises to be a worthy stable-mate for the channel’s Emmy-dominating Mad Men and Breaking Bad."

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    Charlie St. Cloud: Early Film Reviews

    Charlie St. Cloud opens Friday; early reviews are ice cold on Zac Efron's return to pretty-boy form. The PG-13 weepy is "Lovely Bones Lite," reviewers write, a too-sentimental fantasy.

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    Get Low Scores High Reviews

    Psst! Don't tell any contrarian film critics. But Get Low so far is scoring 100% on Rotten Tomatoes. (UPDATE: IndieWIRE's CriticWIRE is tougher: B-.)

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