Celebrating 17 Years of Film.Biz.Fans.

Roger Ebert Fellowship

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    Critic vs. Critic: The Changing Landscape of Movie Coverage

    Moviefone's Jack Mathews and I are squabbling again, this time in a new column we're calling Critic vs. Critic, in which we debate the latest trends and topics in movies. This week, Mathews and I take on the changing face of movie coverage, now dominated by the Internet.

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    New Orleans Films Louis and The Big Uneasy Screen on Katrina Anniversary

    It's unheard of for a movie to play one night in five cities before it's finished and before it has a distributor. But nothing about Louis--which inspired widely divergent reactions at a recent Beverly Hills screening--is what you'd call normal. Also marking the fifth anniversary of Hurricane Katrin...

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    Ebert Named Webby Person of the Year

    The Webby Awards have named Roger Ebert their Person of the Year. The Webbys credit the Chicago Sun-Times film critic with raising the bar for the “level of poignancy, thoughtfulness and critique one can achieve on the web” and having an “unparalleled level of engagement with followers and fans.”

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    3-D Divide: Upfront vs. Retrofit

    No one in Hollywood will listen now that Avatar and Alice in Wonderland have scored the mother-lode of grosses as 3-D movies. Could Alice have done as well in 2-D as a perfect match between name director, beloved children's book, and family-friendly studio? No, confirms Disney, because 70% of its gr...

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    Disney/ABC To Close At the Movies Balcony

    Driving another nail into the coffin of genteel film criticism, Disney/ABC is finally closing down the At the Movies balcony for good. Started by Gene Siskel and Roger Ebert, continued by Ebert and Richard Roeper, then a series of guest critics ending with Michael Phillips, At the Movies was cut off...

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    Ebert Tries New Computer Voice First on Wife Chaz, Then Oprah

    Chicago Sun-Times critic Roger Ebert seems to be everywhere these days, from the cover of Esquire (a must-read) to a Tuesday appearance on Oprah Winfrey. Ebert shares his Oscar predicts with Oprah, using his new computer voice, which uses audio from his old shows to recreate a voice that sounds a lo...

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    Esquire Profiles Roger Ebert

    Post-cancer surgery, jawless Chicago film critic Roger Ebert has found his voice: on-line. He's movingly profiled by Chris Jones in Esquire. The irony is that even though Ebert's not on Disney/ABC's At the Movies anymore, he is still the most powerful critic in America. Yes, his reviews are publishe...

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    #Sundance: Stewart's Welcome to the Rileys, Keener's Cyrus, Hoffman's Jack Goes Boating

    Two of this year's Sundance it-girls are women of a certain age: Catherine Keener, who rocks in both Please Give and Cyrus (as John C. Reilly's ex-wife), and Melissa Leo, who stars in both The Dry Land and Welcome to the Rileys. The straight-forward Jake Scott drama is well-written by Ken Hixon (exe...

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    Telluride Day One: The Road, Waking Sleeping Beauty

    At LAX this morning I chatted with indie press agent Laura Kim and ex-Disney exec Peter Schneider, who produced Don Hahn's documentary Waking Sleeping Beauty. The doc tells the story of how Michael Eisner, Jeffrey Katzenberg and the 80s generation of Disney animators woke up the sleeping Disney anim...

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    Introducing New At the Movies Team

    After they got the sack, the young and callow two Bens vanished from At the Movies, which is now gearing up for a Labor Day Weekend reboot. Just watching this preview of the Chicago Tribune's Michael Phillips and the New York Times' A.O. Scott makes me eager to get back into the At the Movies habit,...

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