On day eleven of the San Francisco International Film Festival, Meredith Brody talks Hands Up (a "kind of a Bizarro-world Disney film"), Citizen Kane, Something Ventured and its billionaires, and The Salesmen (which she tries tricking herself into liking by thinking of Jeanne Dielman). At the end of...
Read More »On day ten of the San Francisco International Film Festival, Meredith Brody talks Dog Day Afternoon, sees and loves Cinema Komunisto, digresses on James Woods (among other things) and makes friends via Bossypants and Chekhov's short stories:I start the day by watching as much of the program honoring...
Read More »On day nine of the San Francisco International Film Festival, Meredith Brody starts small and winds up enthralled by the enduring allure of Terence Stamp. Odd and thrilling to watch a tiny movie, shot by a two-person crew, about nearly-invisible lives and occupations, on the biggest screen in the Ka...
Read More »San Francisco cinephile Meredith Brody continues to cut a swath through the SFIFF programme: Cheerful way to start the day: watching a famed “General” of the unbelievably brutal 14-year Liberian civil war, known as General Butt Naked for the attire (or lack thereof) of himself and his followers, met...
Read More »Meredith Brody's diary entry for SDIFF day seven: The film-going day begins with inserting a DVD into the player, which I guess means staying rather than going. It’s A Useful Life, a film directed by a former employee of the Cinemateca Uruguaya, Federico Veiroj, about a longtime employee of the Cine...
Read More »Meredith Brody reports on the latest festival screenings from San Francisco:
Read More »Meredith Brody reports on the latest festival screenings from San Francisco:The Frenchwoman who introduced Children of the Princess of Cleves gave us an invaluable bit of information that cast the film in an interesting light. President Nicolas Sarkozy said that reading the required “Princess of Cle...
Read More »Meredith Brody dives into her fourth day of San Francisco screenings, starting with one of my favorite films from Venice, Silent Souls (pictured):Easter Sunday was never a big holiday in my book – mostly I look forward to the half-price chocolates available the day after. The darkened cinema is my f...
Read More »The San Francisco International Film Festival is the first U.S. festival to join Festival Scope, the new Internet platform that enables festival selections to be screened to industry professionals worldwide. Other festivals already involved are Cannes' Directors' Fortnight and Semaine de la Critique...
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