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Screenwriters

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    Oscar Talk Episode 24: Final Oscar Picks

    Kris Tapley and I agree on many things, but as we make our final Oscar picks, we debate the last contentious categories: original screenplay, cinematography, art direction, editing and yes, best picture. We will analyze the winners on Monday.

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    Oscar Scandal: Career Boost for Hurt Locker's Chartier?

    The Hurt Locker producer Nicolas Chartier insists that he is enjoying his 15 minutes of fame. Late Wednesday night, drink in hand, pool side at Andaz above Sunset at a pre-Oscar party for The Cove, Chartier wasn't acting like a Hollywood pariah.

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    Oscar Week: Parties, Panels, Indie Spirits, Best Oscar Stories, Hurt Locker Lawsuit, Cohen

    I'm plotting my Oscar-week course of action. I must decide which parties and panels and events to cover, and which stories to write when and how. Last year at the Oscar red carpet bleachers I live-blogged in evening garb from my place on a bench with the likes of A.P., Reuters, LAT, and the London D...

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    The Coens' A Serious Man: The 36 Righteous Men Theory

    Joel and Ethan Coen are not ones to throw the wrath of God around lightly, especially in A Serious Man, a movie that digs deep into Judaism, often for laughs. After all, the movie (which is nominated for best picture and best original screenplay Oscars), starts out in Yiddish with a story about the ...

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    Superman Reboot is Goyer's Man of Steel

    Warners/D.C./Legendary have hired David Goyer to write the new Superman reboot. Goyer's working with Jonathan Nolan (Batman Begins) on an idea from his brother Christopher Nolan. There had been speculation--denied by DC--that Christopher Nolan would be supervising the new Superman iteration. In fact, Goyer reinvented Batman with Nolan. And his story for Nolan's The Dark Knight went on to earn $1 billion. He also wrote Marvel's X-Men Origins: Magneto. Warner Bros. was cautiously making sure it had the right approach to its next Superman picture before losing the rights to the character in 2013. Here's Variety (which credits Latino Review with ...

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    Dennis Lehane Talks Shutter Island

    The thing to remember about Shutter Island is that it's closely based on the novel by Dennis Lehane. James Cameron collaborator Laeta Kalogridis wrote the adaptation that lured Leonardo DiCaprio and Martin Scorsese. Read the book and you will see how closely she hewed to the original. Whatever the m...

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    Weekend Wrap: Hurt Locker Gains Ground at WGA, BAFTAs

    This weekend's key awards events--the Writers Guild (WGA) and British Academy of Film and Television Arts (BAFTAs) awards--did much to advance the inevitable march toward multiple Oscar wins for The Hurt Locker, which won original screenplay at both shows, and a total of six BAFTAs, including cinema...

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    Oscar Watch: Nick Hornby's Hollywood Education

    Brit author Nick Hornby discovered the Lynn Barber memoir An Education and showed it to his producer wife, Amanda Posey, as a possible movie. He liked it so much he adapted it for the screen himself, something he has avoided doing with his own novels, three of which--High Fidelity, Fever Pitch, Abou...

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    Liman and Fletcher Team for Attica

    Doug Liman (The Bourne Identity, Mr. and Mrs. Smith) will direct the 70s prison movie Attica, to be written by Geoffrey Fletcher, who temped as he wrote the screenplays that prepared him for the Oscar-nominated adaptation Precious: Based on the Novel 'Push' by Sapphire.

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    Screenwriters Talk Up, The Hurt Locker, Precious, Up in the Air, Star Trek

    Every writer on this year's annual Santa Barbara Film Festival "It Starts with a Script" panel wrote a screenplay that was personal, on some level--even Up writer-director Pete Docter and Star Trek's Alex Kurtzman. And they all mixed up their genres, too.

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