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Sony/Screen Gems/Sony Pictures Classics

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    Apocalypse Hits 2012, D-BOX, Collapse

    Roland Emmerich's disaster movies Independence Day and The Day After Tomorrow are guilty pleasures. I want to see 2012 (November 13) but Sony is hiding it from me.

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    Oscar Talk, Episode 7: Amelia, Precious, Awards Circuit

    Fresh off the plane from LA to London, in advance of my London Film Fest activities, I got on Skype with In Contention's Kris Tapley for our weekly kudocast. We went deep on what went wrong with Amelia, what's going right with Precious, the plethora of awards-worthy but small-scale projects from Son...

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    An Education Clips

    An Education is even better the second time, when you know the motivations of everyone involved. Writer Nick Hornby (wittily adapting The Observer columnist Lynn Barber's short memoir) and director Lone Scherfig (a protege of Lars von Trier) allow the movie to seduce you as they drop hints of what's...

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    Oscar Talk Episode 4: A Single Man, A Serious Man, Bright Star, Get Low, The Last Station

    In Oscar Talk, Episode 4, In Contention's Kris Tapley and I continue our discussion of all things Oscar. We cover the foreign language submissions (62 so far), the PGA and Oscar ten best films, the long-term forecast on Bright Star, Sony Pictures Classics’ Oscar hopefuls The Last Station and Get Low...

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    Sony Pictures Classics Acquires The Last Station

    Sony Pictures Classics has added Telluride Film Festival hit The Last Station to its burgeoning 2009 slate of possible Oscar contenders. (Here's my Telluride feature on the movie.) The studio specialty subsidiary, which acquired North And Latin American rights, will push for Helen Mirren, Christophe...

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    Indie Fallout: Should Studio Specialty Units Change Focus?

    Ever since the Indie Summit last week, something has been nagging at me.

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    Toronto Deals: Art of the Steal, Lebanon, Get Low

    The smaller Toronto deals are starting to flow. In addition to IFC's pick-up of Valhalla Rising and Sony Worldwide Acquisition Group's genre-film buy Defendor, Sony Pictures Classics has acquired U.S. rights to Samuel Maoz's Venice Golden Lion winner Lebanon, which is expected to be Israel's submission for the Oscars. The movie is based on Maoz's experience as a tank driver. (SPC acquired Israel's Waltz with Bashir last year.) And Sundance Selects, IFC-owner Rainbow Media's other theatrical and VOD label, acquired North American rights to Don Argott’s art-world documentary The Art of the Steal, set for 2010 theatrical release. Both films ar...

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    Toronto Wrap: Indie Bloodbath

    If industry-watchers didn't see it coming, they figured it out at this year's Toronto Film Festival.

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