“Burma,” made by first-time feature filmmaker Carlos Puga and winner of the Grand Jury Award for Ensemble Cast at SXSW, looks at a family in crisis. They aren't falling apart, but instead put together, suddenly, awkwardly, and the building blocks hurt. What starts as a generic and even patience-test...
Read More »One of the best films I’ve seen at SXSW is “Good Night" by Sean H.A. Gallagher, a striking ensemble piece that looks at one night in the lives of a group of thirtysomethings as they unwittingly assemble for an announcement from their friend Leigh (Adriene Mischler): Her leukemia, which has been i...
Read More »Magnolia Pictures likes docs. The indie distributor has acquired US rights to Greg "Freddy" Camalier's Sundance entry "Muscle Shoals," a documentary about the Alabama Muscle Shoals recording studio that spawned some of the greatest records of all time. Produced by Stephen Badger and Camalier, the fi...
Read More »Per usual, genre flicks are selling at SXSW. IFC Midnight has snapped up rights to Midnight entry Vincenzo Natali’s “Haunter,” starring Abigail Breslin as a girl perpetually on the eve of her 16th birthday, fated to relive the day before she and her family were all murdered. “Haunter” is Natali’s fo...
Read More »“Who’s gonna rent a room in the rape/murder hotel?” smokin’ hot Norma Bates (Vera Farmiga) rhetorically asks her introverted son Norman (Freddie Highmore) after a grizzly scene has just unfolded in their creaky house. Based on the first episode of “Bates Motel,” which was unveiled March 11 at SXSW, ...
Read More »Xan Cassavetes, the daughter of John Cassavetes and the director of the wonderful film world documentary "Z Channel: A Magnificent Obsession," wrote and directed "Kiss of the Damned" with a wink and a nod so overt that, from the opening credit sequence, which closely mimics the similarly-titled Hamm...
Read More »In what was easily one of the most anticipated films of SXSW, based on the wildness factor alone, Harmony Korine's "Spring Breakers" wasn't so much unspooled as unleashed on audiences in Austin last night. And while reaction was swift as the credits rolled, and discussion will continue about where t...
Read More »Last night, Harmony Korine's "Spring Breakers" hit the SXSW Film Festival, bringing with it mayhem and a pushed-to-the-red soundtrack fuelled by Skrillex. But it's far from the only movie in Austin with cutting edge tunes that play an important role in the thrust and texture of the narrative. "Snap,...
Read More »With the rise of digital filmmaking in the last decade, a new wave of DIY "mumblecore" filmmakers have risen up through the ranks. While initially many of these films were loose and unpolished, they are now are becoming more refined with many of these directors and actors now having basically integr...
Read More »
On Saturday morning at the South by Southwest Film Festival, a special retrospective of the works of chameleonic British film director Danny Boyle was presented. Moderated by craggy New York Times reporter David Carr, who spent a copious amount of time with Boyle during the extended Oscar campaign f...
Read More »