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    Will Bradley Cooper and Joel Edgerton Board Soderbergh's Man From U.N.C.L.E.?

    Despite the box office failure of his well-reviewed Warrior, which Lionsgate hopes critics will remember at the end of the year, Joel Edgerton continues to be courted as a leading man. Better than his offer to star in 300: Battle of Artemisia, is the chance to star in Steven Soderbergh's The Man...

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    Trailer Watch: Safe House Stars Badass Denzel Washington, Ryan Reynolds, Vera Farmiga

    Check out Universal's Safe House, from Swedish born director Daniel Espinosa. The plot sounds familiar, but we'll pay to see Denzel Washington in just about anything. Ryan Reynolds appears suitably second fiddle to Washington, and Vera Farmiga plays the tough CIA woman who balances out th...

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    WEEKEND PREVIEW: Ratner's Tower Heist Set to Topple Indie Docs & Dramas

    Brett Ratner's timely Tower Heist taps into anti-Wall Street sentiment and is just what you'd expect: competent, breezy, escapist entertainment. The well-cast Madoff-inspired comedy--which stars Ben Stiller, Matthew Broderick, Tea Leoni, Alan Alda and Eddie Murphy in a supporting comeback...

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    War Horse Takes Preview Screening Route to Build Buzz

    Disney/DreamWorks is borrowing a page from Paramount's Young Adult pop-up screening playbook by previewing Steven Spielberg's drama War Horse around the country via sneaks, starting Tuesday November 1 (see cities and dates below). (Long-lead press and key critics groups will also see the film ahead ...

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    John Lasseter Gets the 2453rd Star on Hollywood's Walk of Fame

    While Disney was promoting the Blu-ray and DVD release of Cars 2 on November 1, the day Disney/Pixar animation czar John Lasseter happened to get his star on the Hollywood Walk of Fame, it was still a happy day and a well-deserved honor. Disney's Rich Ross and Sean Bailey, Pixar's Ed Catm...

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    Foreign Box Office: Spielberg's Adventures of Tintin Opens Big Overseas

    Sony and Paramount's move to open Peter Jackson and Steven Spielberg's The Adventures of Tintin overseas months ahead of its December stateside release --where the Herge comic books are beloved--is paying off. The performance capture film opened overseas with an estimated $55.8 million in...

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    IN THE WORKS: Kidman's Family Fang; Murray Joins Coppola, Sheen; Arndt Writing Phineas and Ferb

    Nicole Kidman and her Blossom Films banner partner Per Saari are teaming up again with Rabbit Hole co-producers Olympus Films. They are optioning screen rights to The Family Fang, Kevin Wilson's bestselling first novel about a group of performance artists whose children (who as children were ...

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    Brad Bird Talks Mission: Impossible Ghost Protocol: IMAX vs. 3-D, Animation vs. Live Action, Trailer

    Several animation directors are trying their hand at live action of late, most notably Brad Bird (The Incredibles, Ratatouille), who talks to Bill Desowitz about Mission: Impossible: Ghost Protocol, which boasts a new trailer and featurettes starring daredevil Tom Cruise (below).

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    IN THE WORKS: Independence Day Sequels Want To Take Your Money, Even if They Don't Pay for Smith

    Fox will make not one but two Independence Day sequels, fifteen years (and counting) after the original Will Smith pic raked in $800 million across the globe. It's not a new idea -- the studio had wanted to green light a sequel for some time, but both Smith and director Roland Emmerich demanded huge...

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    John Orloff Talks Anonymous, Shakespeare, Emmerich, Ifans, Redgrave, Stratford vs. Oxford

    One of the surprises of the season is Roland Emmerich's Anonymous, which opens Friday amid ongoing controversy over its premise: that William Shakespeare did not write his plays and poems, and the Earl of Oxford did. Screenwriter John Orloff has been obsessed with this mystery since his college days; the screenplay served as his ticket of admission to Hollywood. First, Shakespeare in Love put Anonymous on the back burner, to be resurrected decades later by German digital master Emmerich, best known for such action adventures as Day After Tomorrow and 2012. Emmerich helped, for better or for worse, to turn Orloff's identity crisis into a rip-...

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