Before the reviews of today's films are finalized, we take a quick peek at some of the Sundance feedback from Saturday.
Read More »Director Dawn Porter's Gideon's Army is summarized as follows: 3 young, idealistic public defenders in the Deep South - Travis Williams, Brandy Alexander and June Hardwick - struggle against long hours, low pay and staggering caseloads to ensure justice is served for America’s for...
Read More »We’re not sure why writer/director Randy Moore decided to come swinging out the gate with a first feature like “Escape from Tomorrow,” and frankly, we’re not entirely sure how he got away with even making it in the first place. Much of this dark, utterly bizarre comedy would appear to be covertly sh...
Read More »Moody, without being oppressively dark or atmospheric, compelling and mysterious, Jane Campion's seven-part Sundance Channel series, "Top Of The Lake" – based on two episodes thus far – is an intriguing crime drama and mystery that's got this writer hooked.
Read More »The “By Numbers” report is issued for the Toronto and Sundance Film Festivals. It lists which U.S. talent agencies are acting as producer reps for which films, which international sales agents are selling the most films, which titles are selling best, etc.
Read More »"Guess if Michael Cera's dead, it's not a total loss right?" Danny McBride says in probably the funniest moment in the teaser for “This Is The End,” a new apocalyptic comedy starring Cera and McBride along with an all-star roster of mostly Apatow-bred comedians all playing distorted versions of them...
Read More »Michael Winterbottom's "The Look of Love" is hardly the most daring of the sexually explicit movies on display at Sundance this year. Joseph Gordon-Levitt made his debut as writer-director with "Don Jon's Addiction," a New York blue collar comedy in the vein of "Saturday Night Fever" in which JGL's...
Read More »While stylishly capturing the verve, exotica, and free-spirited mojo of swinging '60s London, uber-prolific English director Michael Winterbottom's portrait of legendary U.K. smut impresario Paul Raymond is otherwise a shallow misfire.
Read More »Last year, the indie horror anthology "V/H/S" was released and promised to be chock full of truly in-your-face terror – these were fearless directors, given complete creative freedom, and squeezed together under a tight, blood-soaked package. Of course, the promise of "V/H/S" and the actual movie it...
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