The following is a revealing LA Times discussion with several women filmmakers that John Horn moderated. Hollywood is dominated by men, and so, it turns out, is independent film.
Read More »Kris Tapley and I go toe to toe in this week's post-Sundance, pre-PGA, SAG and DGA Oscar Talk.
Read More »Sundance Institute's Artist Services program provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work.
Read More »TV is giving independent filmmakers a new venue for their creativity.
Read More »John Sloss did the right thing. The Cinetic Media chief was pacing the second floor of Zoom in Park City Monday night as his annual Sundance Film Festival party raged around him. He was weighing the offers that had come pouring in for "Before Midnight," the third film in Richard Linklater's trilogy ...
Read More »There's still a couple days left of this year's Sundance Film Festival, but for all intents and purposes it's winding down. Most of the press have departed, pretty much every major movie has screened at least once, and many of them have been bought, or will be over the next few days.
Read More »IFC has sealed a deal for U.S. rights to David Lowery's Sundance favorite "Ain't Them Bodies Saints." The acquisition reportedly came after a battle involving the company and three other distributors that lasted through the night of January 24 and into the morning of the 25th.
Read More »Critics are raving about Sundance NEXT section entry "Blue Caprice," directed by Alexandre Moors and based on the 2002 sniper attacks in Washington D.C., Maryland and Virginia. The film is an "eerie, disquieting, veritie-style exploration" of the killers' psychologies, while refusing any easy thrill...
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