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SXSW Film Festival

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    SXSW '12 Review: 'Killer Joe' A Terrific Texan Tale With A Revelatory Matthew McConaughey Turn

    In recent years, film translations of stage hits haven't been as prevalent as they once were. You might get the occasional "Doubt" or "Rabbit Hole," for instance, but compared to the early days of the talkies, when a large proportion of movies were based on Broadway hits, it's been slim pickings; au...

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    SXSW '12 Review: Director Jay Chandrasekhar's Tentative Sincerity Steps Undermined In Uneven, Sophomoric 'Babymakers'

    If you thought that “Knocked Up” was too mature a take on impending fatherhood, then “Babymakers” just might be the movie for you. Directed by Jay Chandrasekhar, it follows the comical misadventures of a husband who is reluctant to discover whether or not his sperm is “...

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    SXSW '12 Review: Todd Rohal's Third Feature 'Nature Calls' Is A Dull, Droning Wrong Number

    Curiously squandering an immensely talented cast, Todd Rohal's "Nature Calls," written when the writer-director lived in Austin, had more humor and humanity and life in its 10-minute post-screening talk here at SXSW than it showed in its previous 98-minute running time. Starring Patton...

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    SXSW '12 Review: 'Safety Not Guaranteed' A Grounded, Genuine, Oddly Effective Charmer

    Although at this point there are way too many stories about quirky man-children and the women who love them, “Safety Not Guaranteed” is an oddly effective little charmer. A film that harkens back to the magical-realism adventures of the 1980s rather than the twee dollhouse making of the last decade,...

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    SXSW '12: Joss Whedon Talks Challenges of The 'Avengers,' Potentially Resurrecting Old Horror Epic 'Goners,' And How 'Cabin In The Woods' Came To Be

    Today at South by Southwest, there was a panel with "Cabin in the Woods" director Joss Whedon (the screening the night before brought the house down – Richard Jenkins and Bradley Whitford were still talking about it today!), wherein the fan favorite writer/director talked about his intentions for th...

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    SXSW '12 Review: 'God Bless America' A Funny, Insightful & Outrageous Indictment Of Contemporary Culture

    At the movies, righteous anger is in painfully short supply these days, but writer-director Bobcat Goldthwait manages to harness all of his (and more than a little bit of ours) in “God Bless America,” a scathingly funny indictment of the vagaries of contemporary U.S. culture. Compiling a...

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    SXSW '12 Review: 'The Cabin In The Woods' Is A Smart, Witty Blast For Genre Fans

    Almost no genre (bar perhaps the romantic-comedy) revolves around formula as heavily as the horror film. Obviously there are sub-categories: the haunted-house film, the zombie flick, the vampire movie. But a disproportionate amount of the involves a group of horny teens going to a remote location, t...

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    SXSW '12 Review: 'Electrick Children' An Offbeat Indie With A Trio Of Charming Young Leads

    Opening the Generation section of the 2012 Berlinale, which is designed to promote films for, by and/or about young people, we honestly weren't sure what to expect from "Electrick Children," the debut film from writer/director Rebecca Thomas. Colour us pleasantly surprised then to discover that the ...

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    Exclusive SXSW Clip: 'Charles Bradley: Soul Of America' Promises An Engrossing Tale Of A Late-Life Music Career

    If you haven't heard the name Charles Bradley, chances are, by the end of SXSW you will. If you're looking for a moving documentary that will also have you tapping your toes, "Charles Bradley: Soul Of America" might just fit the bill.

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    Exclusive SXSW Clip: Lukas Haas Has A Gift For Madeline Zima In 'Crazy Eyes'

    Things are rolling and underway in Austin as the SXSW Film Festival kicks off. Cinephiles, press and everyone else are faced with a plethora of films over the next week, all hoping to snag their attention, and director Adam Sherman will be in town with his sophomore effort "Crazy Eyes."

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