Jodie Foster had a problem. After completing production on her third feature film, The Beaver, her old pal Mel Gibson, who she had adored since they first worked together in 1994's Maverick, was in terrible trouble. At the end of reshoots on the film, she watched helplessly as he suffered through a ...
Read More »Here's what you need to know about Paul (March 18): It's a Working Title movie, which means that it's smart, tailored to intelligent audiences, and has a British sensibility. Co-writers Simon Pegg and Nick Frost (Shaun of the Dead) dreamed up this light fan boy comedy, went on an American research r...
Read More »Jodie Foster took Austin's Paramount stage for the Wednesday night premiere of The Beaver, a dark, moving family drama centered on Mel Gibson, who is well-cast as a tortured man in crisis. (See indieWIRE's review; here's Hollywood Wiretap's round-up).
Read More »The big SXSW winner this year was Robbie Pickering's Natural Selection, which not only collected the Narrative Feature Competition grand jury prize, two breakthrough acting awards, special prizes for screenplay, cinematography and editing, but the Audience Award as well. Producer Paul Jensen said at...
Read More »SXSW is known for introducing Mumblecore to the indie film world, which defines a group of filmmakers and a minimal improvisational aesthetic derived from micro-budget necessity. SXSW-fave director Joe Swanberg discovered Greta Gerwig, who has moved from Hannah Takes the Stairs and the intense The H...
Read More »Universal tried to bring Office director Paul Feig and writer-actress Kristin Wiig's dumb-female comedy Bridesmaids (May 13) to SXSW as a work-in-progress, but as soon as the director admitted that it was a final cut from the Paramount stage Sunday night, Variety critic Joe Leydon whipped out his ti...
Read More »Jake Gyllenhaal was attached to sci-fi script Source Code when he saw Duncan Jones' $5 million space drama Moon, starring Sam Rockwell in a multi-layered performance. He thought Jones was perfectly suited to direct Source Code, which played well as the SXSW Film Fest opener Friday night. Summit will...
Read More »It ruined my lunch: a description of a head bashing on a table from Ben Wheatley's second feature, Kill List, which sold North American rights to IFC Midnight at SXSW, which is emerging as yet another indie market.
Read More »Errol Morris's Tabloid was one of my fave films at the Toronto Film Festival, from which Sundance Selects eventually acquired the truth-is-stranger than-fiction doc. It's screening at SXSW. Morris discovered the nugget of this story, about Joyce McKinney and her obsessive love with a man she tries t...
Read More »People keep telling me to see Ti West's horror flick The Innkeepers. So I'll check it out Saturday night. That's what film festivals do. They start buzz on a movie that few have seen or know anything about, and suddenly a career is born--or not.
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