In Contention's Kris Tapley and I hit a timing snag on Oscar Talk this week, with him three hours behind in Los Angeles and me traveling to the Toronto Fest. We grabbed a shortish Oscar Talk nonetheless, and a cantankerous one, as we disagree on everything, it seems, except the exciting prospect of ...
Read More »Meredith Brody catches up on her last day in Telluride before heading to Toronto. I had a great last movie day in Telluride, seeing a documentary, two new features, and an hour of Mark Cousins’ 15-hour The Story of Film: An Odyssey, interspersed with two actual meals. But looking back at the jam-packed schedule, I could have assembled several equally exciting programs. I had arranged to meet my friend Hilton Als at 9:15 a.m. for the new documentary Diana Vreeland: The Eye Has to Travel, before he was to flee the mountain at noon, which meant missing competing screenings of the Israeli film Footnote, the Iranian A Separation, and a 1972 Russia...
Read More »Meredith Brody wraps up Telluride--and heads for Toronto, which opens Thursday. Finally, Wim Wenders’ Pina, at 9:15 a.m. in the lovely Galaxy theater, which has been specially fitted out with not only top-of-the-line 3-D projection, but a brand-new sound system by Meyer Sound, the best there is.
Read More »The Weinstein Co. threw its comedic political allegory Butter into the Telluride fray as a test balloon to see how it would play. While folks around me in the overheated Galaxy were laughing at this overwrought Iowa parable about an obsessive-compulsive woman driven to win a butter-carving contest a...
Read More »Based on the Telluride reaction to Glenn Close's long-aborning gender-bender drama Albert Nobbs, the veteran actress has a shot at an Oscar nomination--and so does supporting actress Janet McTeer. Roadside Attractions is planning a late year release--outside the fray--and will push hard for awar...
Read More »Meredith Brody continues her reports from Telluride.Something had to give. All movies and no play (!) makes me cranky, so the flesh is weak: after a full and satisfying day of Wim Wenders’ Pina; The House on Trubnaya Square (1928) by Boris Barnet, with a new score performed by Dennis James and the Filmharmonia Ensemble; Glenn Close and the crème de la crème of British, Irish, and Australian actors in Albert Nobbs, directed by Rodrigo Garcia; and a Tribute to Tilda Swinton with a half-hour of clips, an onstage interview conducted by The New Yorker’s Hilton Als, a screening of Lynne Ramsay’s We Need to Talk About Kevin, followed by a Q and A wi...
Read More »David Cronenberg's A Dangerous Method has stirred up a wide range of reaction at Venice and Telluride. Cronenberg and writer Christopher Hampton (Dangerous Liaisons) conduct a brainy, controlled examination of the intense relationships between the pioneers of psychoanalysis, elder Sigmund Freud (Vig...
Read More »Meredith Brody continues her Telluride diary.The problem with writing about your day’s worth of movies and serendipitous festival sightings and conversations is that distance lends charms; yesterday I may have felt slightly cranky exiting Bela Tarr’s shaggy post-apocalyptical shaggy-horse-story The ...
Read More »The Venice Film Festival opened with The Ides of March, and Toronto has it booked too. Telluride wanted--and George Clooney wanted--the film to play Telluride as well as part of its Clooney Tribute. So he included a clip from late in the movie--a "spoiler" he told me at the annual patron's brunch--...
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