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Telluride

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    Telluride Film Fest Review: Butter Churns Mixed Response, Not Oscar Contender

    The Weinstein Co. threw its comedic political allegory Butter into the Telluride fray as a test balloon to see how it would play. While folks around me in the overheated Galaxy were laughing at this overwrought Iowa parable about an obsessive-compulsive woman driven to win a butter-carving contest a...

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    Telluride Review Round-Up: Glenn Close Passion Project Albert Nobbs

    Based on the Telluride reaction to Glenn Close's long-aborning gender-bender drama Albert Nobbs, the veteran actress has a shot at an Oscar nomination--and so does supporting actress Janet McTeer. Roadside Attractions is planning a late year release--outside the fray--and will push hard for awar...

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    Telluride Day Three: The Teaser/Trailer

    Meredith Brody continues her reports from Telluride.Something had to give. All movies and no play (!) makes me cranky, so the flesh is weak: after a full and satisfying day of Wim Wenders’ Pina; The House on Trubnaya Square (1928) by Boris Barnet, with a new score performed by Dennis James and the Filmharmonia Ensemble; Glenn Close and the crème de la crème of British, Irish, and Australian actors in Albert Nobbs, directed by Rodrigo Garcia; and a Tribute to Tilda Swinton with a half-hour of clips, an onstage interview conducted by The New Yorker’s Hilton Als, a screening of Lynne Ramsay’s We Need to Talk About Kevin, followed by a Q and A wi...

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    Telluride Reviews: Cronenberg's A Dangerous Method Isn't for Everyone; Knightley Inspires Debate

    David Cronenberg's A Dangerous Method has stirred up a wide range of reaction at Venice and Telluride. Cronenberg and writer Christopher Hampton (Dangerous Liaisons) conduct a brainy, controlled examination of the intense relationships between the pioneers of psychoanalysis, elder Sigmund Freud (Vig...

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    Telluride Day Two: From Nick James and German Silent Expressionism to Goodbye First Love and Clooney

    Meredith Brody continues her Telluride diary.The problem with writing about your day’s worth of movies and serendipitous festival sightings and conversations is that distance lends charms; yesterday I may have felt slightly cranky exiting Bela Tarr’s shaggy post-apocalyptical shaggy-horse-story The Turin Horse and running into people laughing and crying after seeing hot-off-the-presses The Descendants, or slightly jealous of the blissed-out audiences levitating down the hill from seeing Wim Wenders’ Pina, in the beloved Galaxy theater that is specially kitted out this year with a state-of-the-art sound system as well as 3-D with top-of-the-li...

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    Telluride: Clooney Caught in Ides of March Fest Tug of War

    The Venice Film Festival opened with The Ides of March, and Toronto has it booked too. Telluride wanted--and George Clooney wanted--the film to play Telluride as well as part of its Clooney Tribute. So he included a clip from late in the movie--a "spoiler" he told me at the annual patron's brunch--...

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    Venice: David Cronenberg's A Dangerous Method Review and Press Conference

    David Gritten reviews David Cronenberg's A Dangerous Method from the Venice Film Festival. It's a rave. David Cronenberg brought his Freud-Jung movie A Dangerous Method to Venice today, and received an enthusiastic reception from a packed press screening. Stars Viggo Mortensen, Michael Fassbender an...

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    In the No, Run-Up to Telluride: The Show from Swinton and Clooney to Veloso and Waters

    We have several folks covering festivals this year--David Gritten and The Playlist are in Venice while Meredith Brody and I are in Telluride--along with Eugene Hernandez, who's covering for indieWIRE. Here's Meredith's first missive:Part of the appeal and the mystique of the Telluride Film Festival,...

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    Another Trip to the Moon with Méliès: Behind the Digital Restoration of VFX Landmark

    While waiting for Hugo (Nov. 23), Martin Scorsese's 3-D valentine to Georges Méliès, TOH columnist Bill Desowitz writes a fascinating account of how digital advances made possible the painstaking restoration of the first movie blockbuster from the father of special effects, A Trip to the Moon (1902)...

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