To the outsider, the Cannes Film Festival can be a nebulous thing. Even if you know the filmmaker or the cast, sometimes you need more context than a review to give you a sort of firmer grasp of the shape, texture and tone of a movie. Clips from the festival are landing left and right, so we thought...
Read More »If all art is only ever about sex and death, Claire Denis’ Un Certain Regard film “The Bastards” may be the most "artistic" one we’ve seen in Cannes to date, as it rolls around positively shamelessly in the musk of both. Or it may be a grubby little exercise in exploitation, depending on who you tal...
Read More »With the actual schedule released today (cue charts and diagrams as attendees try to work out how to be in eight places at one time), the final pieces are falling into place for this year's Cannes Film Festival, and it's shaping up to be a terrific couple of weeks. The initial lineup was already imp...
Read More »Cannes is a sort of annual cinematic Olympics, with almost every country vying for spots in the official selection. But with the official 2013 Cannes Film Festival announcement a little over a month away, Indiewire is offering its annual Cannes wish list.
Read More »Claire Denis’ last two features, “35 Shots of Rum” and “White Material” were both critically adored and ended up on a lot of Best Of lists when they debuted between 2008 and 2009. Her back catalogue is equally impressive, so it’s no wonder then that her follow-up that we’ve been waiting four years f...
Read More »When the members of The Playlist like to get our foreign film art house mojo working, there are few filmmakers as consistently rewarding as Claire Denis. As we outlined in our retrospective a couple years back, her body of work is impressive, with a number of distinct, individual films that are...
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