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Thompson on Hollywood

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    Talking Benedict Cumberbatch, Dragon Secrets and More with the Oscar-Nominated Sound Editors of 'Smaug'

    In returning to Middle-Earth for the second "Hobbit" adventure, "The Desolation of Smaug," Oscar-nominated sound editors Brent Burge and Chris Ward were given a gift with the very hot Benedict Cumberbatch. But when he was first announced, they were apprehensive that his overexposure on "Sherlock" an...

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    Disney's 'Frozen' Tops Annies with Five Awards, Including Best Feature

    The Disney "Frozen" juggernaut continued Saturday night at the 41st Annie Awards, grabbing five trophies at UCLA's Royce Hall, including best feature, directing (Chris Buck, Jennifer Lee), music, production design, and voice acting kudos for Josh Gad's Olaf snowman. The ASIFA-Hollywood honor should ...

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    Anatomy of a Scene: Talking the 'Her' Office with Oscar-Nominated Production Designer K.K. Barrett

    Spike Jonze's beautiful and beguiling "Her," the dark horse in the best picture Oscar race, offers a warm and inviting fusion of LA/Shanghai, with its intoxicating use of red. And the opening scene in the office -- a high rise on Hope near Bunker Hill -- wonderfully sets up the delicate mood and wor...

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    Crafts Roundup: Talking VFX with the Five Oscar Nominees

    The "Gravity" juggernaut, the surprising entry of "The Lone Ranger," the new and improved "Iron Man 3," the ascendance of "Star Trek Into Darkness" and the J.J. Abrams factor, and the power of the eponymous dragon from "The Desolation of Smaug." We reflect on the great year for VFX with the lead sup...

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    Anatomy of a Scene: Oscar-Nominated Editor Christopher Rouse Talks the Pivotal Attack in 'Captain Phillips'

    Best Picture nominee "Captain Phillips" is the ultimate in Paul Greengrass-style verite, given its life and death intensity and emotional epiphanies. More than just a fact-based heist gone bad, it raises deep concerns about our globalized world in conflict. Oscar nominee Christopher Rouse, who's alr...

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    Talking the Oscar-Nominated Sound Editing and Mixing of 'Lone Survivor'

    Peter Berg's underrated "Lone Survivor" received its lone Oscar nominations in the sound editing and mixing categories, but it's well-deserved. The fact-based adventure about a failed Navy SEALS mission in Afghanistan grabs us by the throat and never lets up. And the sound is among the most intense ...

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    Does the Academy Need a Visual Imaging Category?

    With VFX taking a much more prominent role in the virtual lighting of hybrid movies, the question of who's responsible for cinematography in evaluating Oscar contenders has prompted the Academy to consider a new visual imaging category. Obviously the discussion has intensified with "Gravity's" Emman...

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    Talking the Oscar-Nominated Costume Design of 'The Invisible Woman'

    Oscar-winning costume designer Michael O' Connor ("The Duchess") may be an expert at period pieces, but he was a Charles Dickens novice along with actor-director Ralph Fiennes before making "The Invisible Woman." And in this year's battle of the period pieces ("American Hustle," "The Great Gatsby," ...

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    Oscar-Nominated Papamichael Talks Making 'Nebraska' in Black-and-White (VIDEO)

    There was never any doubt about making Alexander Payne's "Nebraska" in black-and-white. It always lived in his imagination as the best way to convey the film's sense of isolation and loneliness. For Oscar nominee, Phedon Papamichael, it was like returning to his old still photography days when he wo...

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    Assessing the Craft Nominations

    As anticipated, Alfonso Cuaron's blockbuster "Gravity" dominated the Oscar nominations this morning with 10 (tied with "American Hustle"), of which seven were craft-related (VFX, cinematography, production design, editing, sound editing, sound mixing, and original score). Meanwhile, best picture fro...

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