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    Crafts Roundup: Disco, Flappers and Old Men Dominate the Makeup and Hairstyling Oscar Race

    The Oscar race for makeup and hairstyling has been very contentious. Making the shortlist were "American Hustle," "Dallas Buyers Club," "The Great Gatsby," "Hansel & Gretel Witch Hunters," "The Hunger Games: Catching Fire," "Jackass Presents: Bad Grandpa," and "The Lone Ranger." However, the list of...

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    Going Inside the Production Design Secrets of 'Walter Mitty'

    Designing the "The Secret Life of Walter Mitty" was a new experience for Jeff Mann, known for working on such "blunt instruments" as "Tropic Thunder" with Ben Stiller and "Transformers" with Michael Bay. But Stiller definitely had a different mind set for the daydreaming Everyman, full of whimsy and...

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    'Gravity' Set to Dominate Oscar Craft Nominations: Talking the Film's Sound, Music and Editing

    As we approach Wednesday's Oscar voting deadline, at least one thing's for certain: "Gravity" is a lock for a majority of the craft nominations. We've already covered production design, cinematography, and VFX in depth, so now let's look at the corresponding design for sound and music, which were ma...

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    Crafts Roundup: Best Costume Design Contenders Play Dress-Up for the Past and Future

    Costumers finally got their own branch this year, which mean they're no longer lumped in with the other designers, so we'll see how that impacts the nominations in two weeks. Not surprisingly, there's an abundance of upscale period pieces ("American Hustle," "12 Years a Slave," "Lee Daniels' The But...

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    Consolata Boyle Talks 'Philomena' Costume Design

    For Dublin native Consolata Boyle, designing the costumes for the fact-based "Philomena" -- her seventh collaboration with director Stephen Frears -- took on special significance. Certainly it's a powerful story about a mother's search for her long-lost son, amid the appalling revelation of forced a...

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    Craft Talking '12 Years a Slave': The Contrast of Horror and Beauty

    The visual power of "12 Years a Slave" derives from a juxtaposition of horror and beauty that director Steve McQueen calls "Goya-esque." It immerses us in the totality of Solomon Northup's experience, a brutal inhumanity that nonetheless took place on gorgeous plantations. Production designer Adam S...

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    Crafts Roundup: Editors Talk About the Journeys of Survival and Reinvention

    With such an emphasis this year on survival and reinvention, the journeys required special editorial attention to shifts in tone and unconventional arcs while conveying internal struggles that we cared about. Here's a sampling from "12 Years a Slave," "Gravity," "All Is Lost," "American Hustle," "Be...

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    'Her' Designers Barrett and Storm Talk Creating Warm, Retro Look

    Turns out that red is not only the warmest color in Spike Jonze's Oscar-contending "Her," but that there was no room for blue in this cozy LA of the near future. That's because the world building was retro rather than futuristic in exploring the conflict between emotion and environment, according to...

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    Arthouse Audit: 'Her' and 'The Past' Not Eye-Popping, Face Serious Competition

    Two significant limited holiday entries opened this pre-holiday weekend, often a tricky time to attract specialized audiences. Spike Jonze's "Her" (Warner Bros.), with somewhat younger appeal, boasted a weaker limited opening than "American Hustle" last weekend, while Sony Pictures Classics slotted ...

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    EXCLUSIVE: Tom Hanks and Paul Greengrass Talk Powerful Final Scene from 'Captain Phillips' (VIDEO)

    Tom Hanks has never been as emotionally naked as in the final five minutes of "Captain Phillips." It's a powerful catharsis after the harrowing ordeal with the Somali pirates, made all the more remarkable by the fact that it was unscripted and improvised with the actual medic on duty in the infirmar...

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