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TIFF

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    TIFF Review: 'Underground' A Lean, Compact Look At The Early Life Of Julian Assange

    Part of understanding Julian Assange is knowing that he's spent nearly his entire life on the run. While he's currently holed up in Ecuador's embassy in the U.K., this latest roadblock for the hacker/activist is just another bump in a lifetime that has seen him constantly on the move. What many folk...

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    TIFF Review: Tommy Lee Jones Shines In Otherwise Serviceable, Flawed 'Emperor'

    "We must be seen as liberators, not conquerors," Tommy Lee Jones' crusty General MacArthur says in the opening moments of "Emperor," and that line of dialogue is about as thematically rich as the film gets. A modestly budgeted, respectfully executed post-WWII drama, the film ...

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    TIFF Review: Penn Badgley Is Solid In Otherwise Uneven 'Greetings From Tim Buckley'

    While the film might not be quite as sweet and heady as drinking a glass of lilac wine, Penn Badgley's performance in "Greetings From Tim Buckley" does justice to the late Jeff Buckley, while also revealing that the "Gossip Girl" star has quite a few more talents than he'...

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    Rachel McAdams & Olga Kurylenko Discuss The Challenges & Thrills Of Terrence Malick's 'To The Wonder'

    Anyone who says that actors are an afterthought in a Terrence Malick film are doing a serious injustice to the director and his work. It would be somewhat surprising to find A-listers queueing up to work with the filmmaker if he wasn't someone who worked well with his performers, and one doesn't hav...

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    TIFF Review: 'Free Angela & All Political Prisoners' A Fascinating Chronicle Of Justice & Strength

    "Black power means dignity," is a phrase that lingers from Shola Lynch's documentary about activist and scholar Angela Davis. And dignity is just one of the many qualities that one can attach to Davis, a bold and powerful figure whose own battle for justice and freedom is chronicled in "Free Angela ...

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    Neil Jordan On The Influences Of 'Byzantium,' And Why He Cast Gemma Arterton & Saoirse Ronan

    For a director who made his name with the excellent adaptation of Angela Carter's gothic deconstructed fairy tales with "The Company of Wolves" and his big studio breakthrough with "Interview with the Vampire," it's been a while since Neil Jordan traveled into more horrific territory. There were gen...

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    TIFF Review: Goran Paskaljevic's 'When Day Breaks' Is Well Shot, But Overly Sentimental

    “With this film, I’ve attempted to do something very complicated,” says Goran Paskaljevic during his introduction to the screening of "When Day Breaks." “To make a simple film.” One of Serbia’s most prominent filmmakers, Paskaljevic’s films have been premiering at TIFF since the 90s, and his brand n...

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    TIFF Review: 'Song For Marion' Hits A Predictable, But Sour Note

    There is a certain strain of mid-budgeted British comedy -- films like "Calendar Girls," "Made In Dagenham," "Greenfingers," "The Full Monty" etc. -- that generally tends to find an audience on both sides of the ocean, make a modest profit, and then land on specialty cable where it lives on in rerun...

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    TIFF Review: 'Great Expectations' Is A Handsome But Stodgy Literary Adaptation

    Adapted a dozen times for television and film (most memorably by David Lean back in 1946), the Charles Dickens classic "Great Expectations" is a tale ripe with thematic undercurrents, one that is more-than-ready for reinvention, interpretation, and reconfiguration. Sadly, no one told this to the mak...

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    TIFF Review: 'A Late Quartet' Is A Soap Opera Symphony That Hits All The Wrong Notes

    Certainly, if a film pulls together a cast that includes Philip Seymour Hoffmam, Christopher Walken and Catherine Keener, there's going to be something worth enjoying. And indeed, the trio give top shelf performances as we've always come to expect from them in "A Late Quartet." But it's just too bad...

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