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TIFF

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    TIFF Review: Big-Hearted & Hilarious 'Silver Linings Playbook' A Touchdown From David O. Russell

    Life hasn't been too kind lately for Pat Solitano. He's just been released from a court ordered stint in a mental hospital after severly beating the man he caught cheating with his wife. Diagnosed as bipolar with mood swings, Pat has a difficult journey ahead of him but he's optimistic. With a rally...

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    Selena Gomez Worried About Her Fans, Harmony Korine Aspired For The “Poetry Of Surfaces”: 'Spring Breakers' At TIFF

    “I’m tired of seeing the same thing every single day...there’s more than just Spring break,” Selena Gomez laments in Harmony Korine’s latest feature. “It’s your chance to see something different.” The rather orthodox (well at least for Korine), “Spring Breakers,” which premiered in Venice last week ...

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    TIFF Review: ‘Tabu’ Is Magic Realism In Rapture, As Only The Language Of Cinema Can Tell It

    It’s been known that a singular moment during a brilliant film can make you realize you’re watching something special, something that will be deposited into your memory bank with a very high interest rate. In Miguel Gomes’ third feature film, "Tabu," this moment comes while you’re still getting comf...

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    TIFF Review: 'Imogene' Is A Big-Screen Sitcom, But Elevated By Kristen Wiig & Annette Bening

    "Imogene" finds Kristen Wiig in victory lap mode, and that suits her just fine. Perhaps the most likable comedic actress to come down the pike since Diane Keaton threw on a Civil War-era vest and floppy hat, Wiig finds herself, post-"Bridesmaids," in rarified company. She is a beloved, in-demand act...

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    “I Don’t Consider That We’re Dealing With A Cult” - Paul Thomas Anderson Talks About 'The Master' At TIFF

    Paul Thomas Anderson’s “The Master” may have already thrilled lucky American audiences at sneak peak pop-up screenings all over the country and in Venice – where it won two of the three major awards including Best Director – but the hypnotic, opaque and much-discussed drama is still the talk of the ...

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    TIFF Review: Chest-Beating LAPD Cop Drama 'End Of Watch' Is Clichéd & Monotonous

    Like "Harsh Times" before it, police drama "End of Watch" conflates realism with sensationalism. In fact, writer/director David Ayer sustains an abrasive tone throughout "End of Watch" in a number of ways. Firstly, Ayer gives his buddy cop drama a cheap kind of imm...

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    TIFF Review: 'Cloud Atlas' Is Bold, Messy & Disappointingly Unimaginative

    With The Wachowskis and Tom Tykwer literally throwing a critic off the roof of a building to his death in the opening moments of the nearly three-hour "Cloud Atlas," it's clear that they aren't concerned in the slightest with how this ambitious effort will be received. And you certainly have to give...

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    TIFF Review: Manic & Meta 'Seven Psychopaths' Both Exhausts & Delights

    It would seem that following the success of "In Bruges," writer/director Martin McDonagh went to Hollywood -- and didn't like the experience. A meta riff on making movies "Seven Psychopaths" is a sneering send-up of the industry that also revels in its action movie clich&eacu...

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    TIFF Review: 'The Gatekeepers' Tells Story Of Israeli Security Services Through The 'Truth Of Their Own Voices'

    It’s almost impossible to walk into "The Gatekeepers" without already feeling intrigued. Director Dror Moreh has taken care of that with the premise of his new documentary alone. Six ex-leaders of Israel’s top counterterrorism and security organization, Shin Bet, describe their experiences through a...

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    TIFF Review: 'A Liar's Autobiography' Is An Imaginative But Not Wholly Satisfying Biopic Of Monty Python's Graham Chapman

    A title screen introduces us to "A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman," saying that the voice that we will be hearing throughout the film is really Graham Chapman, made from recordings he issued just before his death (he died less than a year after being diagnose...

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