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TIFF

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    TIFF Review: 'Mr. Pip' Features A Fine Hugh Laurie Performance, But Fails On Most Other Levels

    From Andrew Adamson, the director who brought us the first two "Shrek" and "Narnia" movies, "Mr. Pip" is a rather feeble attempt at more serious subject matter than talking lions and animated ogres. A literary adaptation of a coming-of-age story, with links to Charles Dickens’ classic "Great Expecta...

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    TIFF Review: 'Arthur Newman' An Intentionally Listless Story About A Boring Everyman

    What if we are all Arthur Newman? This is the question that director Dante Ariola and screenwriter Becky Johnston beg in "Arthur Newman," their tepid, imaginatively uninvolved drama about two strangers that fall in love while trying to escape their banal past lives. Ariola and Johnston’s film follow...

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    TIFF Review: Overwrought 'The Impossible' Drowns In A Sea Of Melodrama

    If "The Impossible" moves viewers to do anything, it may be to upgrade their life insurance policy to cover injuries due to tsunami. Because as we watch the Bennett family get whisked away by helipcopter at the end of the film to the facilities of a hospital in Singapore, leaving the tragedy of the ...

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    TIFF Review: Bloodless 'Byzantium' A Vampire Tale Without Fangs

    Between "Twilight" on the big screen, and "True Blood" and "Vampire Diaries" on the cable dial, among countless other books, graphic novels and more, if you're a fan of bloodsuckers, there's likely a flavor out there for you. And with countless other projects in the pipeline from Will Smith's direct...

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    TIFF Review: Nick Cassavetes' ‘Yellow’ Is Daring, Bold And Just What The Doctor Ordered

    Officially the most refreshing breath of air at this year’s TIFF, Nick Cassavetes’ new feature ‘Yellow’, is a step into crazy terrritory, far from his recent romantic comedy fare and "Alpha Dog." Away from traditional ways of telling stories, and towards a different type of perspective, a very diffe...

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    TIFF Review: Joss Whedon's 'Much Ado About Nothing' Is An Unexpected Delight

    How does one follow the biggest superhero film in box office history? Perhaps a better way to phrase it is, how does the man behind some of the most beloved cult TV series and characters in recent pop history follow the biggest superhero film in box office history? If we're talking about the muc...

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    TIFF Review: 'Berberian Sound Studio' Is An Unnerving, Original Psychological Horror Anchored By The Great Toby Jones

    People love movies about the making of movies. Well, that's perhaps an exaggeration -- general audiences have a history of some apathy towards the genre. But filmmakers certainly love films that go behind the scenes of their own business, from "8 1/2" to last year's Oscar winner "The Artist," and ci...

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    TIFF Review: Robert Redford's 'The Company You Keep' Is An Unconvincing Bit Of Agitprop

    The third film in Robert Redford’s recent series of stillborn, bleeding heart dramas, "The Company You Keep" is a busy but inert civic-minded thriller. As a director, Redford has yet to break his recent habit of using hackneyed dialogue to talk down to his audience with Aaron Sorkin-...

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    TIFF Review: 'Thanks For Sharing' The Uneven Dramedy Version Of 'Shame'

    It's safe to say that sex addiction is no longer the misunderstood step-brother to alcohol and drug addiction. Thanks to reality television, cable shows like "Californication" and last year's awards season contender "Shame," the stigma around sex addiction, of it not really being a problem or someth...

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    The Wachowskis Finally Give Up Their Anonymity & Lana Addresses Her Sexual Transformation: 'Cloud Atlas' At TIFF

    “Cloud Atlas,” the sprawling and epic adaptation of David Mitchell’s celebrated, heady and dense novel, screened last night at the Toronto International Film Festival. An unorthodox arrangement, as it was directed by the Wachowski siblings, Larry and Lana, plus German filmmaker Tom Tykwer (“Run Lola...

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