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Toronto

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    TIFF: Genre Films Sell in Toronto Buying Spree

    As TIFF wound down, the weekend sale of Will Ferrell's $6 million dark comedy Everything Must Go to Lionsgate/Roadside marked a more frenetic Toronto sales market than last year, when many sales took months to close. Horror film Insidious also sold, to Sony Worldwide Acquisitions Group, probably for 2011 Screen Gems release. "It's a genre distributor's wet dream," says IM Global's Stuart Ford, who wasn't worried about landing North American distribs for these and two more titles at Toronto this year--all were modestly-budgeted and pre-sold in foreign territories. "The market is still challenging, but healthier than it was a year ago. There's ...

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    Oscar Talk: Post-Toronto, 127 Hours, King's Speech, Social Network, I'm Still Here

    In Contention's Kris Tapley and I talked in the same city for this week's Oscar Talk. He's seen Catfish and The Social Network; I saw a bunch of new movies in Venice and Toronto including I'm Still Here, Rabbit Hole, Beginners, and I Saw the Devil.

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    TIFF Buy: Oscilloscope Acquires Meek's Cutoff

    Oscilloscope, the same distrib that opened Kelly Reichardt's 2008 film, Wendy and Lucy, starring Michelle Williams, will also handle the North American release of her most recent Venice/Toronto entry, the western Meek's Cutoff, starring Williams, Will Patton, Bruce Greenwood, Paul Dano and Zoe Kazan...

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    TIFF Client 9: The Rise and Fall of Eliot Spitzer Review, and Alex Gibney Talks

    Alex Gibney's hugely entertaining Eliot Spitzer doc, Client 9: The Rise and Fall of Elliot Spitzer, is a leading contender for this year's doc Oscar. The movie is full of surprises. In my flip cam interview with Gibney (below) he explains how the story he tells turned out far different from what he ...

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    TIFF Interview: Inarritu Expected Biutiful, Starring Bardem, to "Provoke Extreme Reactions"

    Biutiful, Alejandro Gonzalez Inarritu's long-awaited follow-up to Babel (which scored seven Oscar nominations in 2007 including best picture), came into Toronto with a stateside distrib (Lionsgate's Roadside Attractions), and played well here. Javier Bardem's performance as a down-and-out psychic in...

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    Toronto Diary: Meek's Cutoff and Mysteries of Lisbon Are Snoozes; SUPER is Rousing

    After Meredith Brody's sustained Toronto pace of viewing and reviewing films, I felt compelled to take her to dinner, where we were joined by our pals Bernie and Martin, who scored a table at one of Toronto's finest, Nota Bene, after which she composed her latest missive (in which she's tougher on M...

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    Lionsgate Goes for Oscar Gold on Rabbit Hole, Starring Kidman

    Lionsgate is diving back into the Oscar race--this is the studio that delivered the Oscar-winning Precious--by acquiring North American rights to John Cameron Mitchell's Rabbit Hole, starring Nicole Kidman, Aaron Eckhart and Dianne Wiest, which debuted in Toronto September 13. The movie, adapted by playwright David Lindsay-Abaire’s from his Pulitzer-prize-winning play, went over well with critics here. Kidman’s Blossom Films developed and produced the film, which tells the story of two parents grieving the loss of their four-year-old boy in an accident. It's a tour-de-force role for Kidman, who won the best actress Oscar for The Hours. An Osc...

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    Affleck Admits That I'm Still Here is a Stunt

    Of course Casey Affleck finally comes clean in the NYT--just before I'm Still Here goes into wider release. Joaquin Phoenix was acting. “It’s a terrific performance, it’s the performance of his career,” he says.

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    TIFF Diary: Remembering Chabrol, Potiche, I Saw The Devil, Monsters, Brighton Rock

    In her ongoing Toronto journal, day five, Meredith Brody starts off remembering Claude Chabrol:So I realized trudging home from the subway last night that the reason I hadn’t remembered that the Toronto subway doesn’t begin running until 9 a.m. on Sunday was that I never had been obliged to use the ...

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    TIFF Between a Rock and Hard Place: Boyle and Franco Talk 127 Hours

    I interviewed 127 Hours producer Christian Colson and writer Simon Beaufoy, the same team who worked with Danny Boyle on Slumdog Millionaire, just before my flipcam chat with Boyle and James Franco (below).

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