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Toronto

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    Toronto Deals: Art of the Steal, Lebanon, Get Low

    The smaller Toronto deals are starting to flow. In addition to IFC's pick-up of Valhalla Rising and Sony Worldwide Acquisition Group's genre-film buy Defendor, Sony Pictures Classics has acquired U.S. rights to Samuel Maoz's Venice Golden Lion winner Lebanon, which is expected to be Israel's submission for the Oscars. The movie is based on Maoz's experience as a tank driver. (SPC acquired Israel's Waltz with Bashir last year.) And Sundance Selects, IFC-owner Rainbow Media's other theatrical and VOD label, acquired North American rights to Don Argott’s art-world documentary The Art of the Steal, set for 2010 theatrical release. Both films ar...

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    Toronto Wrap: Indie Bloodbath

    If industry-watchers didn't see it coming, they figured it out at this year's Toronto Film Festival.

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    Oscar Talk, Episode 3

    Kris Tapley and I wrap up the Oscar changes post-Toronto Film Fest, from the Coens' A Serious Man to new Weinstein pick-up A Single Man.

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    TIFF#: Leaves of Grass Director Nelson Directs Two Nortons

    Like many indie films these days, Leaves of Grass (like Men Who Stare at Goats, a stoner comedy) rose like a Phoenix from the ashes of another project. Back in 2006, actor-writer-director Tim Blake Nelson (The Grey Zone), who is the kind of talented, responsible guy who tries to do the right thing a...

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    TIFF#: Michael Moore Talks Capitalism: A Love Story

    With his latest agit-prop documentary Capitalism: A Love Story, Michael Moore delivers a scathing, entertaining portrait of how America's "greed is good" credo got us to where we are today. As the country heads toward recovery, the movie remains timely and accommodates the new Obama perspective. But...

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    TIFF#: The Boys Are Back's Owen Goes Family

    Everyone goes into Toronto with a schedule of films to watch. And that list changes with buzz. Some movies fall off due to bad WOM, while others become must-sees. IndieWIRE's in-progress critics' poll of 34 films is indicative of the movies that everyone went to see-- and the ones that nobody did.

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    TIFF#: A Single Man Ignites Fest's First Big Sale

    I was lining up to see designer Tom Ford's first feature A Single Man this morning as the deal was closing for The Weinstein Co. to release the picture. This acquisition title has generated more heat than anything else so far. (Critical buzz is also strong on Get Low, but buyers seem to be holding b...

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    TIFF#: Toronto Day Five: Get Low Builds Buzz

    With distributor ranks cut to the quick and a dicey domestic market for indie films, sales are slow at this year's TIFF. There are plenty of excellent and not so good films on view, but buyers are hanging back. "It's a buyer's market," says ex WMA agent Cassian Elwes. "They'll figure out which ones...

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    TIFF#: Precious Producers Want Credit

    Without Colorado-based producers Sarah Siegel-Magness and her husband Gary Magness, Precious: Based on the Novel "Push" by Sapphire might never have been made.

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