Sarah Polley's sophomore feature, Take This Waltz, has gone to Magnolia Pictures for U.S. distribution, planned for Summer 2012. Starring Michelle Williams and Seth Rogen, the film received mostly strong reviews at its Toronto premiere, as did Polley's 2006 Away from Her. Here is Meredith Brody's re...
Read More »One reason that Werner Herzog's docs are so compelling and entertaining is that his powerful personality is all over them, commenting, narrating, querying. Herzog's docs, as lauded as they are, are often overlooked by the Oscar documentary branch, which nominated while Encounters at th...
Read More »With Almodovar's The Skin I Live In out of the foreign Oscar race (Spain chose Black Bread instead), as I had suggested, Sony Pictures Classics has indeed picked up U.S. rights to its fourth foreign language Oscar submission, Lebanon's Where Do We Go Now?, directed by Nadine Labacki, which played at...
Read More »On the foreign Oscar front Spain has disappointed Pedro Almodovar yet again by not picking The Skin I Live In, which failed to win a prize at Cannes. Sony Pictures Classics is releasing the kinky thriller starring Antonio Banderas stateside. And Italy did not choose Nanni Moretti's non-award winning...
Read More »Remember, The Hollywood Film Festival is not a respectable fall fest. It's a well-timed award season facade which honors stars, filmmakers and craftspeople and lines the pockets of founder and internet magnate Carlos de Abreu. (Read all about it here.) But Hollywood players participate because the f...
Read More »Bennett Miller is not the first name that would come to mind as the director of Moneyball, which two years ago was a problem-plagued project stalled at Sony with $10 million in costs stacked against it from past writers Stan Chervin, Steve Zaillian and Aaron Sorkin and departed directors David Frank...
Read More »Picking the right poster art is an art in itself, and China's treatment for its official Oscar submission, Zhang Yimou's $90 million The Flowers Of War, leaves much to be desired.
Read More »On the last days of the Toronto Film Festival, Meredith Brody settles into a fifteen-hour orgy of film history. If I wasn’t already a rabid cinephile, exposure to Mark Cousins' orgiastic The Story of Film: An Odyssey would turn me into one. I’d been looking forward to seeing the two-day screenings, ...
Read More »The trick with the fall film festivals is to gauge expectations going in vs. what was actually achieved. Various distributors launched their fall slates, and watched with pleasure or horror at how their movies were received by audiences and critics. Oscar contenders either moved forward in the award...
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